The shipping industry has spent years debating how to cut emissions without overhauling entire fleets or waiting for next-generation fuels that remain decades from commercial viability. A white paper released March 2, 2026, by the Institute of Marine Engineering, Science and Technology (IMarEST) in collaboration with Montreal-based AI company Whale Seeker and True North Marine suggests the answer may already be hiding inside every vessel’s bridge controls: the throttle.

The paper, titled Navigating with Nature: How Smarter Ship Routing Delivers Emissions Cuts and Biodiversity Gains, models a transatlantic route from Montréal, Canada, to Le Havre, France, and integrates ecological sensitivity layers, habitat vulnerability indices, and speed optimization algorithms into the voyage planning process. The results, based on a single route simulation, are striking: modest speed adjustments along the transit could avoid approximately 198 tonnes of CO₂, cut underwater radiated noise exposure by more than 50%, and reduce the risk of a fatal whale strike by up to 86%. The optimized route also yielded fuel savings of 61.7 metric tonnes per crossing.

Those numbers deserve context. A single transatlantic voyage producing nearly 200 fewer tonnes of carbon dioxide is not a rounding error. Multiplied across the thousands of commercial transits that cross the North Atlantic each year, the cumulative reduction potential is enormous, and it requires no new vessel construction, no experimental fuels, and no regulatory overhaul. It requires information and willingness.

The white paper builds on a growing body of research showing that the relationship between vessel speed and whale mortality is not linear; it is exponential. Studies published in Scientific Reports and cited by NOAA Fisheries have consistently demonstrated that the probability of a fatal collision increases dramatically above 10 knots. For the critically endangered North Atlantic right whale, which numbers roughly 380 individuals and is the subject of an ongoing Unusual Mortality Event declared in 2017, vessel strikes remain one of the two leading causes of death alongside fishing gear entanglement. NOAA data shows that 42 right whales have died and 40 have been seriously injured since 2017, with the vast majority of those casualties traced to human interaction.

What the IMarEST paper adds to this picture is an economic case. The conventional framing positions whale protection and commercial efficiency as competing interests: slow your ship to save whales, and you lose time and money. The Navigating with Nature model flips that assumption. By integrating real-time ecological data into route planning, the optimized voyage actually saves fuel. The speed adjustments are not uniform reductions across the entire crossing; they are strategic, applied in areas of high ecological sensitivity where whale density, calving grounds, or migratory corridors overlap with the shipping lane. In lower-risk stretches, the vessel can maintain or even increase speed to compensate, keeping overall transit time within commercially acceptable margins.

“What this case study shows is that smarter speed choices could cut costs and emissions now, while also reducing underwater noise and pressure on ocean biodiversity,” said Emily Charry Tissier, CEO and co-founder of Whale Seeker. Charry Tissier, a biologist with two decades of experience in coastal and Arctic ecosystems, founded the company in 2018 to use AI and aerial detection for marine mammal monitoring. Whale Seeker’s technology has since been deployed with Transport Canada to detect right whales in real time in the St. Lawrence corridor.

The underwater noise dimension is worth pausing on. Chronic noise pollution from shipping is one of the least visible but most pervasive threats to marine mammals. Whales and dolphins rely on sound for communication, navigation, and foraging. Elevated background noise from vessel traffic can mask their vocalizations, disrupt feeding behavior, increase stress hormone levels, and in extreme cases cause physical injury. The International Maritime Organization has recognized underwater noise as a significant environmental concern, but regulatory action remains voluntary and unevenly implemented. A 50% reduction in noise exposure through route and speed optimization, as the white paper models, would represent a meaningful improvement for cetacean populations along one of the world’s busiest shipping corridors.

Alasdair Wishart, IMarEST’s technical and policy director, framed the paper in regulatory terms. “This white paper illustrates how the landscape could look for vessel owners and operators should there be further legislation to protect marine mammals,” he said. The subtext is clear: the shipping industry can either adopt these practices voluntarily and capture the fuel savings, or wait for governments to mandate them and lose the first-mover advantage.

The paper was endorsed by the United Nations Decade of Ocean Science for Sustainable Development and produced through IMarEST’s Marine Mammal Special Interest Group, a technical body composed of experts from academia, industry, policy, and government. Strategic framing was supported by Fürstenberg Maritime Advisory.

It is worth noting what the paper does not claim. This is a case study based on a single simulated route, not a fleet-wide operational trial. Real-world implementation would face challenges including schedule pressures, port congestion, contractual obligations, and variable weather. The authors position the work as a starting point for integrating biodiversity intelligence into routing decisions, not a finished policy prescription.

Still, the fundamental insight is hard to argue with. In an industry under intense pressure to decarbonize, the notion that protecting marine life and reducing fuel costs can be pursued simultaneously, rather than traded against each other, is a compelling proposition. The ocean’s largest animals and the industry’s bottom line, it turns out, may have more aligned interests than decades of regulatory debate have assumed.

Source: IMarEST, Whale Seeker, True North Marine | Published March 2, 2026
White paper: Navigating with Nature: How Smarter Ship Routing Delivers Emissions Cuts and Biodiversity Gains | Available at imarest.org

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About the organization

The new partnership brings co-branded coastal education into classrooms, sponsors hands-on teacher training, and commits a $25,000 youth scholarship

Two of Florida’s most prominent conservation organizations have found common ground in a place that matters most: the classroom. The Guy Harvey Foundation (GHF) and Coastal Conservation Association (CCA) Florida announced a partnership on February 10, 2026, that weaves together ecosystem restoration education, professional development for teachers, and direct investment in young conservation leaders across the state.

At its core, the collaboration is built around content. GHF has developed new, co-branded educational materials aligned with CCA’s restoration work, shining a light on the ecological roles of oysters, clams, salt marshes, and mangroves in protecting Florida’s coastal waters. These are not abstract lessons. They connect directly to the hands-on restoration projects CCA already runs across the state, giving educators a tangible bridge between what students read and what is actually happening in their local estuaries.

Training the Teachers Who Train the Future

A central pillar of the partnership is CCA’s sponsorship of GHF’s Conservation Education Training (CET) sessions for teachers. Last year, educators attended a CCA-sponsored session at the Guana Tolomato Matanzas National Estuarine Research Reserve in Ponte Vedra Beach, a 76,000-acre stretch of protected coastal lands in northeast Florida that serves as a living laboratory for exactly the kind of science this program promotes.

The Guy Harvey Conservation Education program is open to elementary, middle, and high school educators and provides all the materials, classroom supplies, and educational content participants need to bring marine science into their schools. Through immersive, experiential sessions, teachers engage in regional professional development opportunities focused on environmental STEAM (Science, Technology, Engineering, Arts, and Mathematics) education. Once trained, participants become certified Guy Harvey Conservation Educators, equipped with the knowledge and resources to foster environmental awareness among their students. The program also offers grants for field trips and supplies, giving educators ongoing support well beyond the initial training.

“This partnership with CCA represents a powerful alignment of shared values, education, conservation and long-term stewardship of our coastal ecosystems,” said Jessica Harvey, CEO of the Guy Harvey Foundation. “By combining our educational expertise with CCA’s restoration-focused mission, we are creating meaningful pathways for teachers, students and young leaders to understand, protect and advocate for Florida’s vital marine habitats.”

$25,000 Youth Scholarship Through the STAR Fishing Competition

Beyond the classroom, GHF has committed to sponsoring a $25,000 youth scholarship in the 2026 CCA Florida STAR Youth Fishing Competition. The STAR tournament is one of Florida’s largest recreational fishing competitions for young anglers, and the scholarship ties conservation values directly to outdoor experience, rewarding young people who are already spending time on the water with support for their education.

“Partnering with the Guy Harvey Foundation allows us to amplify the impact of conservation beyond the water and into the classroom,” said CCA Florida Executive Director Brian Gorski. “By connecting hands-on ecosystem restoration with meaningful education and teacher training, we are investing in the next generation of conservation leaders.”

Why It Matters

Florida’s coastal ecosystems are under mounting pressure from development, water quality degradation, and the accelerating effects of climate change. Oyster reefs, salt marshes, and mangrove forests serve as natural infrastructure: they filter water, buffer shorelines from storm surge, and provide critical nursery habitat for commercially and recreationally important fish species. Partnerships that bring these realities into schools, and equip teachers with the tools to make them tangible for students, are an investment in the kind of long-term stewardship that no single policy or restoration project can accomplish alone.

For more information about the Guy Harvey Foundation’s educational, research, and conservation initiatives, visit www.GuyHarveyFoundation.org. For more on CCA Florida and its programs, visit ccaflorida.org.

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ABOUT THE ORGANIZATIONS

The 65-foot research vessel cuts through Caribbean waters while a man with a PhD in marine biology leans over the stern, watching a tagged bull shark disappear into the blue. On deck, watercolor palettes wait beside satellite tracking equipment. This is the contradiction at the heart of Guy Harvey: a scientist who abandoned academia for art, only to discover his paintings could accomplish what peer-reviewed journals could not.

After four decades of transforming marine wildlife into cultural currency, Harvey’s story finally arrives on screen. Guy Harvey, directed by 22-time Emmy Award winner Nick Nanton and produced by Astonish Entertainment, will close the 40th Annual Fort Lauderdale International Film Festival with its world premiere on February 28 at 6:30 p.m. at the Museum of Discovery and Science. The screening includes a Q&A with cast and crew, followed by a celebratory reception.

The Artist Who Rebuilt Billfish Populations With Brushstrokes

Harvey never intended to become a conservation icon. Born in Jamaica with a British Army father, he earned his doctorate from the University of the West Indies in 1984, fully prepared for a life of academic marine biology. Then came 1988, when he set up a modest booth at a Fort Lauderdale boat show to sell his fish paintings.

What happened next reshaped marine conservation funding in ways traditional nonprofits still study. Harvey’s scientifically accurate depictions of marlin, sailfish, and sharks resonated with the sportfishing community at a visceral level. His T-shirts became ubiquitous along coastal America. That revenue stream, now reaching over one million followers across social platforms, generates ongoing support for the Guy Harvey Foundation and Guy Harvey Research Institute at Nova Southeastern University.

Consider the scope: over $800,000 in marine science scholarships funded, 2,168 teachers trained in marine science education as of late 2024, curriculum reaching an estimated 50 million students globally through partnerships with Discovery Education and Florida Virtual School. Research projects span from 22-year stingray population surveys in the Cayman Islands to groundbreaking billfish tracking studies proving catch-and-release sustainability.

“Guy Harvey bridges worlds: he’s as much a scientist as he is an artist, and his work has changed how millions of people see the ocean,” Nanton explains in the film’s press materials. “This film celebrates not just his achievements, but the movement he’s inspired to preserve our planet’s most vital resource.”

Nanton’s Lens: Where Biography Meets Cultural Archaeology

Nanton brings complementary credentials to Harvey’s story. Dubbed “America’s Biographer” by Larry King, the Orlando-based director has spent two decades documenting how individuals catalyze cultural change. His 60-plus documentaries cover everyone from Notre Dame’s Rudy Ruettiger to XPRIZE founder Peter Diamandis, collecting 43 Emmy nominations and 22 wins along the way.

Nanton’s filmmaking philosophy rejects hagiography in favor of what he calls “connection through contradiction.” His subjects succeed not despite their complexities but because of them. For Guy Harvey, this meant filming across the Cayman Islands, Panama, California, and Florida, capturing not just the artist at his easel but the diver photographing free-swimming billfish at depths most people avoid, the scientist collaborating with Tropic Star Lodge researchers on sailfish migration patterns, the educator developing STEAM curriculum for elementary schools.

The director assembled a production team matching the subject’s scope. Underwater cinematographer Carlo Alberto Orecchia captures what Harvey sees before he paints it. The film features fellow marine artist Robert Wyland, wildlife sculptor Kent Ullberg, photographer Jim Abernethy, Harvey’s children Alex and Jessica Harvey (the latter now serving as Guy Harvey Foundation CEO), and dozens of scientists whose research Harvey funds.

Fort Lauderdale: The Only Logical Stage

Lisa Grigorian, Fort Lauderdale International Film Festival president and CEO, notes the fitting symmetry of hosting Harvey’s premiere: “As the fishing capital of the world, Fort Lauderdale is the perfect home for a film that celebrates marine life, conservation, and the legacy of one of the most iconic ocean artists of our time.”

The 40th anniversary festival (February 20-28) represents one of America’s longest-running film celebrations, founded in 1986 by the Broward County Film Society. Over four decades, FLIFF has hosted everyone from Audrey Hepburn to Matt Damon across venues including the historic Savor Cinema art house and Cinema Paradiso. The festival showcases 100-plus films annually, maintaining its reputation as a crucial test market for American independents and international cinema while operating year-round programming through its arthouse theaters.

Harvey’s journey mirrors the festival’s timeline almost exactly. They emerged together in the mid-1980s, when South Florida’s cultural infrastructure was finding its voice, and both survived the transition from analog to digital, from local to global. Each proved that regional institutions could achieve international impact through authenticity and relentless quality.

The Foundation’s Living Laboratory

While Harvey became famous for his art, the Guy Harvey Foundation and Research Institute conduct the science justifying conservation policy. Recent research demonstrates that a commercially harvested billfish generates $50-60 in value, while the same fish in recreational catch-and-release fisheries produces $2,000-plus in economic impact and can be caught repeatedly, creating both ecological sustainability and economic multiplier effects.

The Foundation’s current projects include monitoring Nassau grouper spawning aggregations in the Caribbean (among the last remaining), tracking shortfin mako sharks (classified as vulnerable to extinction), studying how juvenile bull sharks function as nutrient pumps between Everglades habitats, and maintaining the world’s longest-running wildlife interactive zone study at Stingray City in Grand Cayman.

Jessica Harvey, who leads the Foundation after years conducting fieldwork in the Cayman Islands Department of Environment, recently expanded educational reach through the Guy Harvey Conservation Education Program. The initiative provides free professional development in environmental STEAM education, turning participants into certified Guy Harvey Conservation Educators with grants and resources for classroom enhancement.

“It is our collective responsibility to preserve our marine environment and maintain the biodiversity of this planet,” Harvey states in the film. “But it takes cash to care.” His model proved that conservation could be self-sustaining if it connected emotionally with people who love the ocean, even if they never publish research papers.

Measuring Impact Beyond Gallery Walls

Harvey’s cultural penetration extends far beyond marine biology circles. His distinctive style appears on everything from Tervis tumblers (which donate $1 per product to the Foundation) to Norwegian Cruise Line partnerships to Florida Lottery scratch-off games funding marine science education. The Guy Harvey brand operates across the U.S., Caribbean, and Central America, with solar-powered manufacturing in El Salvador producing sustainable apparel that funds research.

International recognition followed: Panama’s Order of Vasco Núñez de Balboa Grand Officer (the nation’s highest honor for non-Panamanians), induction into the International Game Fish Association Hall of Fame, NOGI Award from the diving industry, Wyland ICON Award, and Artists for Conservation honors. He’s been inducted into fishing, scuba diving, and swimming halls of fame, a trifecta reflecting his multi-disciplinary approach.

The documentary captures this scope by filming Harvey in his natural habitats: underwater photographing subjects before painting them, aboard research vessels deploying satellite tags, visiting classrooms where teachers use his curriculum, and in his studio where scientific observation transforms into art that funds more science.

The Closing Night Convergence

Guy Harvey screens February 28 at 6:30 p.m. at Fort Lauderdale’s Museum of Discovery and Science, with tickets available through the FLIFF website. The post-screening Q&A and reception provide attendees access to filmmakers and potentially Harvey himself, offering rare insight into four decades of conservation work that rewrote the relationship between art, commerce, and environmental protection.

For Nanton, the film represents something larger than biography: a case study in how individual passion scales into movement. That movement includes the 2,000-plus teachers trained in marine science, the graduate students receiving Guy Harvey Fellowships through partnerships with Florida Sea Grant, the commercial fishermen adopting sustainable practices after seeing research funded by T-shirt sales, and the millions of people who wear Harvey’s art as a declaration of alliance with healthy oceans.

The documentary arrives as marine ecosystems face compounding threats: warming waters, overfishing, and accelerating habitat loss. Harvey’s model offers something conventional conservation often lacks: a bridge between scientific rigor and popular culture, between research journals and everyday life, between understanding marine ecology and actually caring enough to protect it.

When Harvey set up that booth at the Fort Lauderdale boat show in 1988, he was just trying to sell paintings. He created something more durable: proof that art could fund science, that commerce could serve conservation, and that one person’s obsession with accurately painting fish could help ensure those fish survive for future generations to see.

Event Details:

• Film: Guy Harvey (World Premiere)
• Date: Saturday, February 28, 2026
• Time: 6:30 p.m.
• Venue: Museum of Discovery and Science, Fort Lauderdale
• Festival: 40th Annual Fort Lauderdale International Film Festival
• Post-Screening: Q&A with cast and crew, followed by reception
• Tickets: Available at fliff.com

Written by: Junior Thanong Aiamkhophueng

Attribution: This article draws on information from an Astonish Entertainment press release; details on the Guy Harvey documentary directed by Nick Nanton; research and educational programs by the Guy Harvey Foundation and Guy Harvey Research Institute at Nova Southeastern University; Fort Lauderdale International Film Festival programming for the 40th anniversary celebration; and biographical information on Dr. Guy Harvey’s marine conservation work spanning Jamaica, the Cayman Islands, Panama, and Florida waters.

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ABOUT THE ORGANIZATIONS