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Ocean Literacy

Diving In: How Ghana Is Training the Next Generation of Coral Protectors

Scuba diver exploring a coral reef alongside marine life, illustrating hands-on ocean conservation efforts like those led by Coral Reefstoration Ghana

You may have heard the phrase: If you want to make change, start locally. But how do impactful environmental missions actually take root in our own communities?

One compelling example can be found in the bustling capital of Ghana, Accra. There, two media professionals and conservationists have joined forces to protect their local waters, and to teach others how to do the same. George Amadou, a marine educator, conservationist, and underwater filmmaker, and David Selasi Kuwornu, a cinematographer and the organization’s communications and programs lead, are the founders of Coral Reefstoration Ghana, a non-governmental organization dedicated to expanding ocean access and protecting marine ecosystems.

In September of 2025, they launched The Dive Lab, Ghana’s first-ever diving and underwater media bootcamp designed specifically for marine biology undergraduates. The program represents a major step forward in hands-on marine education in the region.

Mission

Coral Reefstoration Ghana is a nonprofit organization focused on marine conservation, coral restoration, and expanding public access to the ocean. Their work centers on equipping ocean enthusiasts, scientists, and conservationists with both research skills and storytelling tools, believing that people are far more likely to protect what they understand and feel connected to.

In Ghana, ocean conservation still faces many challenges. Despite being a coastal nation, education around marine ecosystems is not very widespread at primary or secondary school levels. Many children grow up near the sea yet are taught to fear it, often hearing cultural stories that emphasize danger and risk.

“You know, growing up, one thing that we all noticed was our parents never allowed us to get close to the sea or to the ocean or to any water body at all. You know, because there’s this scare that we may drown…”George Amadou, Co-founder, Coral Reefstoration Ghana

As a result, misconceptions about the ocean persist into adulthood. Amadou and Selasi Kuwornu are working to change that narrative. Their goal is to reframe the ocean not as something to fear, but as something to explore, understand, and protect.

Origins of the Organization

Coral Reefstoration Ghana officially began just over two years ago with a simple but powerful goal: to help people feel more comfortable in the water. The team started by organizing swimming lessons for a wide range of participants, from schoolchildren to university students.

A turning point came when they attended the West African Marine Science Symposium, hosted by the University of Ghana. During the conference and through conversations with Professor Edem Mahu, they identified one of the region’s most significant barriers to marine conservation: lack of access. Across West Africa, only about one percent of students ever gain firsthand experience with the ocean. Most universities lack the funding, equipment, or infrastructure needed to take students into the field.

Seeing an opportunity, Amadou and Selasi Kuwornu expanded their efforts. Already certified divers with the necessary equipment, they began taking marine science students into the water, starting with Professor Mahu and her class.

“We decided on teaching them how to dive so that they could actually go down there, get to see the seabed, experience the marine life, and thereby appreciate marine conservation more.”George Amadou

Under the guidance of Coral Reefstoration Ghana, students are able to engage with their studies in three dimensions, transforming abstract concepts into lived experience and helping them become stronger researchers and storytellers. Through The Dive Lab, Coral Reefstoration Ghana hopes to empower West Africa’s future of science.

The Dive Lab

The Dive Lab is a six-day, hands-on program that teaches participants how to scuba dive and film underwater. The inaugural program received more than 50 applications, from which 10 students, mostly marine biology undergraduates, were selected.

By the end of the bootcamp, participants earn a diving certification, underwater research skills, underwater cinematography training, and media and storytelling experience.

The hope is that by experiencing marine ecosystems firsthand, students will develop a deeper connection to their work while gaining the tools to share their findings with both the scientific community and the broader public. If conservation efforts like this continue, Ghana may be able to guide us forward with news that contrasts the doom and gloom we are so accustomed to.

The State of Ghana’s Reefs

So, what is the current state of Ghana’s coral reefs?

According to Coral Reefstoration Ghana, the reefs are still relatively healthy, but highly vulnerable. Amadou and Selasi Kuwornu see this moment as critical: an opportunity to protect these ecosystems before irreversible damage occurs.

Some of the most pressing threats include destructive fishing practices and pollution. Bottom trawling, for example, involves dragging heavy nets across the seafloor, destroying reef structures and capturing far more marine life than intended. In other cases, fishing with explosives or harmful gear causes widespread damage and contamination.

In one recent project, Amadou used a 360-degree camera to document underwater damage and later presented the footage using a virtual reality headset. Showing coastal communities the direct consequences of human activity beneath the surface has proven to be a powerful tool for awareness and mindset change. Once people are able to get a visual understanding of what is happening in their environments, they are more likely to get involved.

Looking Ahead

Moving forward, Coral Reefstoration Ghana plans to expand its outreach through local media stations, with the goal of eventually reaching audiences across West Africa. They are also developing school programs, screenings, workshops, and virtual reality experiences to bring the ocean to those who may never have seen it firsthand.

“I believe that digital storytelling is actually what is going to bridge the gap between the wealth of knowledge that is to be acquired from the ocean and those out there who do not know about it. The digital storytelling tools are going to carry these live marine messages right on their wings to these people out there who do not know anything about it, who have very wrong perceptions about the ocean in the first place…”David Selasi Kuwornu, Co-founder, Coral Reefstoration Ghana

Longer-term, they hope to integrate marine science education into schools at an early age, starting with swimming programs for children that can eventually lead to diving and conservation training. With these programs they aim to empower young Ghanaians to become innovators and leaders in locally led ocean conservation.

Conservation does not always begin on a global scale. Often, it starts within a community, through access, education, and storytelling. Coral Reefstoration Ghana offers a powerful model for how these elements can come together to transform relationships with the ocean and inspire meaningful change.

To support their work, follow Coral Reefstoration Ghana on Instagram and YouTube at @CoralReefsGH, and help share their story with the world.

This article is courtesy of the Oceanography podcast from Pine Forest Media, the only independent podcast network in the world dedicated entirely to environmental science storytelling. Episodes are available wherever you listen to podcasts.

Follow Pine Forest Media on Instagram: @pineforestmedia


About the Author

Madelyn Choi Weir is a New York-based freelance journalist, a producer with Pine Forest Media, and a public relations professional. Her work focuses on environmental storytelling and global travel. As an artist and polyglot, she seeks to amplify stories from around the world that have a story worth telling.

Art & Culture

Tiny Organisms, Big Impact: The Winners of the 2026 Science Without Borders Challenge

Nearly 900 students from 65 countries answered the Khaled bin Sultan Living Oceans Foundation’s 2026 brief: paint the invisible ocean. The winners of the Science Without Borders Challenge turn plankton, archaea, and zooxanthellae into images that translate the engine room of the blue planet.

The ocean’s most consequential workforce is microscopic. Plankton, marine bacteria, archaea, symbiotic microalgae: the species too small to see with the naked eye produce more than half of Earth’s oxygen, drive nutrient cycling, anchor every marine food web, and quietly regulate the climate. They are the engine room of the blue planet. They are also, for most students, invisible.

The Khaled bin Sultan Living Oceans Foundation has spent fourteen years using one of the most underrated tools in ocean education to fix that: a paintbrush. The 2026 Science Without Borders® Challenge, the Foundation’s annual international student art competition, has just announced its winners. This year’s theme, Microscopic Marine Life, drew nearly 900 entries from students aged 11 to 19 in 65 countries. The brief asked them to make the invisible visible.

First Place 15-19: Ocean's Hidden Jewel Box by Sophia Jiye Lee
First Place, 15-19: Ocean’s Hidden Jewel Box by Sophia (Jiye) Lee, age 17, USA. Image courtesy Khaled bin Sultan Living Oceans Foundation.

15 to 19 age group

First Place went to Sophia (Jiye) Lee, a 17-year-old at Bergen County Academies in Hackensack, New Jersey, for Ocean’s Hidden Jewel Box. The piece is a mixed-media work on a custom-cut wooden canvas shaped to mimic an oxygen molecule, two circular panels bridged by a rectangular insert. Inside the panels, microscopic marine organisms (diatoms, crystal-walled Acantharia) are rendered as gemstones glowing against deep ocean blacks.

“When people see my work, I hope they recognize that significance is not defined by scale. I want them to feel a sense of awe for the unseen and to realize that impact can extend beyond just the source. Just as my piece breaks traditional borders of a canvas, the contribution of these organisms breaks the borders of the ocean to sustain every breath we take, no matter where we are.”

Sophia (Jiye) Lee, First Place, 15-19
Sophia Jiye Lee with her art teacher Natalia Mak
Sophia (Jiye) Lee with her art teacher, Ms. Natalia Mak. Image courtesy Khaled bin Sultan Living Oceans Foundation.
Second Place 15-19: The Deep Microcosm of Life by Qing Yang Cheng
Second Place, 15-19: The Deep Microcosm of Life by Qing Yang Cheng, age 17, Canada. Image courtesy Khaled bin Sultan Living Oceans Foundation.

Second Place went to Qing Yang Cheng, 17, from Canada, for The Deep Microcosm of Life, a detailed portrayal of the archaea that thrive around hydrothermal vents and the chemosynthetic ecosystems they sustain in the absence of sunlight. This is biology that operates by rules most surface readers do not know: not photosynthesis but the harvesting of sulfur, methane, and dissolved minerals into living tissue.

Third Place 15-19: Sea Manual by Hyang Yu Lee
Third Place, 15-19: Sea Manual by Hyang Yu Lee, age 17, Republic of Korea. Image courtesy Khaled bin Sultan Living Oceans Foundation.

Third Place went to Hyang Yu Lee, 17, from the Republic of Korea, for Sea Manual: an inventive illustration of marine bacteria’s decomposition and nutrient-cycling work, rendered in the unmistakable visual language of an IKEA instructional manual. Step one: a fallen whale. Step two: bacterial decomposition. Step three: nutrients return to circulation. The joke lands; the science does too.

11 to 14 age group

First Place 11-14: The Giant and the Invisible by Olivia Shin
First Place, 11-14: The Giant and the Invisible: A Story of Ocean Recycling by Olivia Shin, age 14, Canada. Charcoal on recycled cardboard. Image courtesy Khaled bin Sultan Living Oceans Foundation.

First Place went to Olivia Shin, 14, a student in Calgary, for The Giant and the Invisible: A Story of Ocean Recycling. The work is charcoal on a piece of recycled cardboard. It depicts a whale fall: the slow decomposition of a blue whale carcass on the seafloor, broken down over decades by microscopic organisms whose collective work sustains entire deep-sea ecosystems. The material choice and composition are not incidental. Both reinforce the theme of interconnection.

“I was inspired by how bacteria clump together and work with microorganisms, which to me resembled the game of Tetris. I hope that my artwork can encourage others’ thoughts and interest in marine life.”

Olivia Shin, First Place, 11-14

Inside the studio: Olivia Shin at work

Olivia’s winning charcoal-on-cardboard piece did not arrive on the page fully formed. She worked through it over weeks, building the whale fall in layers, refining the bacterial mats and sediment textures with her teacher, Ms. Lily Kim of About Art Studio in Calgary. The process shots below offer a rare look at the discipline behind the final image.

Second Place 11-14: The Touch of Life by Jieming Zhang
Second Place, 11-14: The Touch of Life by Jieming Zhang, age 11, China. Image courtesy Khaled bin Sultan Living Oceans Foundation.

Second Place went to Jieming Zhang, just 11 years old, from China, for The Touch of Life: a vivid illustration of the symbiotic microalgae (zooxanthellae) that live within coral tissue, photosynthesising and feeding their host in a partnership without which tropical reefs would collapse. With ocean warming bleaching reefs at scale, this is exactly the biology a generation of young readers needs to understand.

Third Place, 11-14: The Invisible Engine of the Ocean. Image courtesy Khaled bin Sultan Living Oceans Foundation.

Third Place went to Eason Liang, 14, from Irvine, California, for The Invisible Engine of the Ocean, a piece that reimagines microscopic marine life as the literal machinery powering Earth’s natural systems. The metaphor is precise. Without the ocean’s microscopic life, the carbon pump stalls, food webs unravel, and atmospheric oxygen levels fall. The engine is not optional.

Why this matters

Each winner receives a scholarship of up to $500 from the Khaled bin Sultan Living Oceans Foundation. The prize money is the smallest part of what the competition delivers. The larger return is what the students themselves carry forward.

“This year’s theme challenged students to explore a world that is rarely seen but absolutely essential to life on Earth. Through their artwork, these students transformed complex scientific ideas into powerful visual stories, helping others better understand the critical role microscopic marine life plays in sustaining our oceans and our planet.”

Amy Heemsoth, Chief Operating Officer and Director of Education, Khaled bin Sultan Living Oceans Foundation

Marine phytoplankton are responsible for roughly half of global net primary production, the foundation of nearly every ocean food web (Field et al., Science, 1998). The biological carbon pump driven by these organisms transports an estimated 10 to 12 gigatonnes of carbon from the surface ocean to the deep sea each year, a climate-regulating service whose collapse is one of the most studied risks of ocean warming (Henson et al., Nature Climate Change, 2022). When a 14-year-old draws a whale fall in charcoal, or an 11-year-old paints symbiotic algae inside a coral polyp, they are not making decorative work. They are translating the biggest planetary processes most adults never learn about into something a stranger can grasp at first glance.

Now in its 14th year, the Science Without Borders® Challenge has put generations of young artists through that translation exercise. The Foundation’s bet, year after year, is that the artists who learn to render the ocean’s hidden machinery on a canvas at 14 will be the same people negotiating policy on its behalf at 34. The 2026 cohort suggests the bet is paying off.


The full gallery of winning artwork and high-resolution images are available via the Khaled bin Sultan Living Oceans Foundation announcement. For information about the competition and the 2027 theme, visit LOF.org/SWBChallenge.

All artwork © the named artists, reproduced courtesy of the Khaled bin Sultan Living Oceans Foundation. SEVENSEAS Media thanks Liz Thompson, Chief Communications Officer at the Foundation, for sharing the announcement with our community.

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Ocean Literacy

Protected: The Tide Has No Bias: Why the Next Generation of Indian Women Must Take Action in the Field

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Issue 132 - May 2026

SeaKeepers Welcomes Dr. Mark Luther as First Scientist Chairman, Marking a New Era for Ocean Research

The International SeaKeepers Society marks a historic milestone, appointing Dr. Mark Luther of the University of South Florida as its first scientist Chairman, succeeding Jay Wade and signaling a deeper scientific chapter for the yachting-led conservation organization.

Jay Wade and Dr. Mark Luther of The International SeaKeepers Society
Outgoing Chairman Jay Wade with incoming Scientist Chairman Dr. Mark Luther. Photo: SeaKeepers.

April 10, 2026. The Board of Directors of The International SeaKeepers Society has announced a leadership transition, extending its deepest gratitude to outgoing Chairman Jay Wade and welcoming Dr. Mark Luther as the organization’s first scientist Chairman, a historic milestone for the ocean conservation NGO.

During his tenure, Jay Wade provided steady, thoughtful leadership, guiding the organization through a period of growth while remaining anchored in SeaKeepers’ mission to advance oceanographic research, conservation, and marine education. A passionate advocate for the yachting and boating community, Wade championed a vision of transforming private vessels into platforms for scientific discovery, expanding the organization’s global reach and strengthening its role as a bridge between ocean science and the maritime industry.

A first scientist Chairman for SeaKeepers

Dr. Mark Luther brings decades of expertise in physical oceanography and maritime systems, alongside a lifelong connection to the water. He earned his Ph.D. in Physical Oceanography from the University of North Carolina at Chapel Hill and currently serves as Professor and Director of the Center for Maritime and Port Studies at the University of South Florida’s College of Marine Science.

With over 30 years of experience supporting oceanographic observation systems, including longstanding work with NOAA’s Tampa Bay Physical Oceanographic Real-Time System, Dr. Luther has been at the forefront of integrating science with real-world maritime operations. His leadership extends across key regional and federal committees, where he collaborates closely with the U.S. Coast Guard, port authorities, and maritime stakeholders to address environmental challenges tied to marine transportation.

A dedicated member of the SeaKeepers community, Dr. Luther has served as Chair of the organization’s Scientific Advisory Council, helping to guide and elevate its scientific initiatives. He is also an avid boater and U.S. Coast Guard-licensed captain, having spent more than four decades navigating the waters of Tampa Bay and Florida’s west coast.

“With years of dedicated service to SeaKeepers, Mark brings a deep understanding of our mission to this role. It is exciting to see him step into the position of Chairman and help guide the organization forward.”

Jay Wade, outgoing Chairman, The International SeaKeepers Society

Dr. Luther’s appointment signals an exciting new chapter for SeaKeepers, one that deepens the organization’s scientific leadership while continuing to engage the global fleet in meaningful ocean research, education, and conservation.


About The International SeaKeepers Society. The International SeaKeepers Society works with the yachting community to take part in research, conservation, and educational efforts that advance the health of the ocean. Learn more at seakeepers.org or @seakeepers on social.

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