Let the Ground Keep the Falling Rainwater 

A recent science article utilizing multiple indirect data sources and models estimates that the world’s soil moisture water loss from 1979 to 2016 is 3,941 cubic kilometers. This is an enormous amount of water. Lake Huron holds 3,500 cubic kilometers, while Lake Michigan holds 4,918 cubic kilometers.

Unless you are a soil microbe, springtail, worm, or robin foraging for worms, soil moisture likely isn’t at the top of your list of concerns, even if you are very worried about climate change. The distinction between dirt and soil is that soil is alive and can retain moisture.  The difference between flour and bread is life; yeast consumes flour, creating bread. 

The bread of my youth, Wonder Bread, once claimed to build bodies eight ways (protein, calcium, phosphorus, iron, Vitamin B1, Vitamin B2, Niacin, and energy). They upped that figure in 1971 to 12 ways, at which time the Federal Trade Commission made them scale back their promises.

Soil also builds bodies (fungi, microbes, mites, tardigrades, and all) with nutrients prepared for consumption by bacteria and energy supplied by plants, which photosynthesize carbon dioxide and water into carbohydrates. A plant repairs itself when cut or chewed, producing more plant fiber and carbohydrates pushed out of roots as exudate to nourish fungi and the soil.

Add water to dirt or flour, and you’ll get a sticky mess. Soil holds moisture, much like sliced bread, which will hold a liquid egg to become French Toast and still make room to soak up maple syrup. Four inches deep, healthy soil acts as a carbon sponge, holding seven inches of rainwater.

The problem with soil begins at the crust. If it becomes excessively crusty, the soil surface will not accept or retain water. We contribute to the hardening of the surface through heavy tillage, fertilizers that harm microbes, repeated fires, drainage, destruction of wetlands, deforestation, loss of biodiversity, erosion, unmanaged grazing, and all their combinations.

We’ve deprived the world’s soil and the lives within more than a Lake Huron volume of life-giving moisture, and that’s just the beginning of the troubles ahead. When the land dries, plants lose the ability to release water vapor that evaporates to cool or condense, which warms with the morning dew.  With plant evapotranspiration greatly reduced, the hundreds of horsepower per acre of solar power cycling water is re-routed to warming and baking the earth.  The rising hot air draws in more drying winds. Cumulus cloud formation ceases, except for fiercer afternoon thunderstorms. 

Raindrops unable to penetrate the soil join to form rivulets that gather speed and converge to become streams, transporting sediments that scour the land. Erosion carves, sedimentation smothers, and floodwaters rise, bringing more destruction.

A quiet trail winds through the forest, evidence of how land can absorb, hold, and slowly release water back into the ecosystem.

The clouds have silver linings because the annual rainfall amounts have not changed significantly. When it rains and water is plentiful, we need to slow it down and return it to the soil or ground, where it will be when needed during dry weather to recharge rivers. We should give the ground natural rights to retain its rainwater. Instead of stormwater, the rainwater should be channeled into the ground through rain gardens, pumps, cisterns, and French drains whenever a developer transforms vegetation and soil into constructions of cement and steel.

The loss of green vegetation and soils from the landscape resembles the emperor with no clothes.  We are so enamored with our constructions and artificial creations that we fail to see the naked truth.  For example, Boston receives an average of 43.6 inches of rain every year. The rains come in stronger bursts, yet the annual volume remains consistent.  The damage does not originate from the sky but from stormwater flooding communities.  Tidal dams are constructed to keep out the rising seas, only to prevent stormwater from the land from reaching the sea and causing more flood damage. Therefore, during the dry summer heat, it is no surprise that the land becomes so dry that forest fires ravage once wet areas, such as the red-maple swamps in Middleton – the landscape’s got no water. 

A family strolls through a winter forest, where the land remains porous, alive, and capable of holding the rain that falls upon it.

Developers profit while municipalities manage the water from off their properties at great expense to the community. Developers must be held accountable for the land’s hydrology and not be permitted to flush stormwater away to water works that most municipalities cannot afford to manage, leaving residents in low-lying areas of town standing in combined sewage overflow.

Let’s put the rainwater back into the soil to replenish life in the rhizosphere. The figure of 3,941 cubic kilometers represents a significant amount of water lost from the world’s soils. By allowing (and encouraging) rainwater to infiltrate the ground where it falls, we can reduce stormwater damage, combat climate change, and decrease sea level rise by as much as 25 percent (10 mm).  More water in the soil will result in healthier soils, enable plants to photosynthesize for more days, provide additional shade in hot weather, and make our neighborhood climate more comfortable with more life throughout the year.

A group of hikers walk a compacted winter trail through the woods — a reminder that soil, even under snow, remains part of a living, water-holding system.

Dr. Rob Moir is a nationally recognized and award-winning environmentalist. He is the president and executive director of the Ocean River Institute, a nonprofit based in Cambridge, MA, that provides expertise, services, resources, and information not readily available on a localized level to support the efforts of environmental organizations. Please visit www.oceanriver.org for more information.

References

• Seo, et al. (2025, March 27). Abrupt sea level rise and Earth’s gradual pole shift reveal permanent hydrological regime changes in the 21^st century. https://www.science.org/doi/10.1126/science.adq6529

This article is written by Neil Nachbar.

Submissions will be on display at the Art League RI gallery from April 5-27; winning entries will be showcased at URI’s Graduate School of Oceanography thereafter

KINGSTON, R.I. – About 300 Rhode Island students in grades kindergarten through 12th grade entered the third biennial “Ocean View” student art competition, organized by the University of Rhode Island’s Graduate School of Oceanography (GSO).

All submissions will be displayed at the Art League RI gallery in Pawtucket, 80 Fountain Street, Suite 107A, from April 5-27. Three winners from each of the four age divisions will be announced at a ceremony at the gallery on Thursday, April 17 at 3 p.m. 

Students were required to submit a statement of no more than 100 words on the theme, “What does ‘The Ocean State’ mean to you?’” Their two-dimensional artwork was limited to 24 inches by 36 inches. Suggested art mediums included illustration, painting, mixed media and collage, and photography.

The judges were three professional artists: Janine Wong, Laurie Kaplowitz, and Ruth Clegg, who is also the president of the board of directors of Art League RI.

Wong takes a multidisciplinary approach when creating abstract prints, weaving together elements of art, craft, design, and architecture. Kaplowitz uses the human figure to explore nature and existence. Her art has been exhibited in galleries in Boston, Los Angeles, New York, Dallas, Miami, and San Francisco. Clegg’s art, which includes photography, video, printmaking, painting, and collage, has been displayed at the Providence Art Club, Bristol Museum of Art, Mystic Museum of Art, the Rhode Island School of Design Museum, Care New England, and the Smithsonian Graphic Art Collection.

“Art League RI is pleased to host the ‘Ocean View’ art competition with the URI Graduate School of Oceanography,” said Clegg. “We’re happy to encourage children to recognize the value of the ocean through the process of creating these works of art.”

After April 27, the 12 award-winning pieces of art will be showcased at GSO’s Ocean Science & Exploration Center. The winners will be invited to GSO for a reception on a date to be determined, where they will be presented their awards. The art will be displayed for at least a year, where they may be viewed by the public, students, staff, and faculty.

By Selva Ozelli

It is fitting that after  2024 was confirmed as the hottest year on record, the United Nations (UN) declared 2025 the International Year of Glaciers’ Preservation, accompanied by the proclamation that March 21st of each year would be celebrated as World Day for Glaciers starting in 2025.

The hottest year on record, breaching the first year-long global warming threshold of  1.5°C, a key target set in the Paris Agreement, also witnessed the 150^ᵗʰ year anniversary of the birth of artist Nicholas Roerich, who is known as “The Master of the Himalayan Mountains.” The Himalayas ⎯ the focus of Nicholas Roerich’s artwork ⎯ have approximately 15,000 glaciers that are melting and could lose as much as 80% of their mass by the end of the century as the Earth’s temperature rises, according to projections. The Himalayan glaciers are a vital source of water for the region’s rivers and communities of 1.65 billion people.

As the planet gets hotter, scientists warn that this signifies a potential “frightening new phase” and increased risks of severe climate change impacts, with our glaciers shrinking, making the water cycle and the currents in the oceans slower and more unpredictable according to studies. Glaciers are crucial for regulating the global climate and providing about 70% of the world’s freshwater. However, for billions of people, meltwater flows are changing, causing floods, droughts, landslides and sea level rise, subjecting countless communities and ecosystems to the risk of devastation.

Four art shows by award winning artists Alfons Rodriguez, Photographer and Filmmaker (Spain), Fatma Kadir (Turkiye), Semine Hazar (Turkiye) Selva Ozelli (USA) at the UN draw attention to the need to protect glaciers, during the high-level inaugural World Day for Glaciers and World Water Day events taking place at the UN in New York and Paris on 20-21^ᵗʰ March 2025.

The Melting Age by Alfons Rodriguez & Fatma Kadir at The National Lighthouse Museum (NLHM), Staten Island, NY

The National Lighthouse Museum (NLHM), which educates visitors about the history and technology of the nation’s lighthouses, will host its first Climate change-themed art show titled ”The Melting Age” from March 15^ᵗʰ to June 1^st, 2025, to celebrate the year of glaciers.

The Melting Age art show  is made up of  a film, by Alfons Rodriguez and Jose Bautista (Spain); photographs from 7 continents and 30 countries by Alfons Rodriguez (Spain); as well as oil paintings by Fatma Kadir (Turkiye) that depict the impact of Climate Change on our world.

“From hot to cold. It all seems like a grotesque game we force ourselves to play. This is unprecedented lunacy. In Greenland and Antarctica, melting ice caused by warming makes the planet’s sea levels rise, while cooling ocean currents influence wildlife and ecosystems. An excess of salt water contrasts with the waste of scarce drinking water aquifers: we use four liters of water to make one plastic bottle containing the same liquid, and this is quite a moderate proportion compared to other products.  I thank the NLHM, Teiduma and Climate Heritage Network, and the UN for their support in bringing the Melting Age art show to the public during the glacier year. The Melting Age will be on exhibit at the tail end of the year during November and December at the Cunneen Hackett Art Center in Poughkeepsie, NY,” explained photographer and filmmaker Alfons Rodriguez.

Where Worlds Meet – Glaciers by Alfons Rodriguez and Fatma Kadir at the HMVC Gallery, NYC

On March 21^st, 2025  the Inaugural World Day for Glaciers, the HMVC Gallery in NYC will hold a 24 hour digital art show of their “Where Worlds Meet” exhibition which will include the mixed media Glaciers art work by photographer Alfons Rodriguez and artist Fatma Kadir at the jumbotron at Times Square, NYC  located at 7^ᵗʰ Avenue between 47ᵗʰ – 46^ᵗʰ Streets.

“I am so excited that out mixed media art work titled Glaciers with Alfons will be seen by so many New Yorkers in Times Square on the first World Day for Glaciers. I thank HMVC Gallery, the Climate Heritage Network, the UN for their support in launching the Where Worlds Meet art show on March 21^st. It is a truly historic day, a historic event” said artist Fatma Kadir.

The Lighthouse at the End of the World, by Semine Hazar for CUHK Jockey Club Museum of Climate Change in Hong Kong

Semine Hazar an award-winning oil artist of lighthouses explained “The inspiration behind my painting “The Lighthouse at the End of the World” was my trip to Argentina in 2017 when I firsthand witnessed the melting of the ice and with a great sound crash into the sea. This brought tears to my eyes. This lighthouse marks the last inhabitable point in South America. I imagined that soon we would be moving this lighthouse to the Antarctic. The Lighthouse at the End of the World painting is on exhibit at the world’s first climate change museum CUHK Jockey Club Museum of Climate Change in Hong Kong. Later this year I will exhibit my “Lighthouses of the Hudson River” series during the year of Glaciers at the Cunneen Hackett Art Center in Poughkeepsie, NY from July to August followed by the National Lighthouse Museum Staten Island, NY from September to December 2025. I thank all museums, the Climate Heritage Network, and the UN for their unwavering support to bring my work to the public.”

Orcas & Glaciers by Selva Ozelli for CUHK Jockey Club Museum of Climate Change

“I made the Orcas & Glaciers art show for the world’s first climate change museum the CUHK Jockey Club Museum of Climate Change in Hong Kong (MoCC) which launched at the United Nations Climate Change Conference (COP29). I contacted Cecilia Lam the Director of MoCC and asked her if she would be interested in an art show about the trapped pods of around a dozen orca whales by drift ice in waters off Japan’s northern island which I read about in the news during February of 2024. I was so upset painting these trapped orcas in drift ice caused by melting glaciers. I thank MoCC, Climate Heritage Network, Global Resilience Partnership, Oceanic Global, and the UN for their unwavering support,” explained Selva Ozelli.

Please share your content to celebrate the inaugural World Day for Glaciers at the UN HERE!