Conservation Photography
Adversity at Altitude By Tselane Mead

Tselane Mead is an emergency nurse and mountaineer. She is a ski instructor and school nurse in the Swiss alps during the winter. She works with hiking, mountaineering and ski clubs to help empower women from diverse backgrounds to reach their potential in mountain spaces.

The wind and snow are whipping at my face. I’ve readjusted the stiff frozen fleece buff around my neck and mouth, desperately trying to protect myself from the -20 degree bitter wind. Adrenaline is still pumping through my body but I know I’ll start to get cold soon. As I strain my eyes a little, I can barely make out the outline of the cable car station about 200 meters away through the thick snowstorm.
I am at 3,900 metres on the mountain. The weather set in quickly and it is the end of the ski day at Saas Fee in Switzerland. Precisely the time when most accidents in the mountains happen. The last cable car to the bottom of the mountain is in 10 minutes.
I trudge back up through the snow to the casualty. Through the thick grey, I see a small, crumpled figure being covered every second by the relentless heavy downfall. The child’s leg is broken. He is slipping into shock, growing pale, cold, and unconscious.
My mind is fogged for a moment as I think back on the unsettling comment from a skier that morning as I was getting out of the cable car. “I love this colour,” he said while touching my cheek. “You’re the only one of you out here”.

I probably was. The whole year I’d been living and working in the French and Swiss Alps I’d seen one other black person out ski mountaineering. It was a hilarious moment in itself: me trudging uphill and him whizzing downhill, both of us waving frantically at each other, clearly ecstatic to see one another. This moment in the cable car, when I was petted like an exotic beast, felt patronising and threw me off-kilter, stealing my confidence.
My teammate, Ed, has marked the incident area with upright skis. The injured boy is just 13-years-old. He’d failed to spot a small hump of snow in the whiteout and fallen awkwardly whilst skiing, twisting his leg.
Having called SOS for a helicopter or a sled to rescue the child, we are now waiting for them to arrive. That was 25 minutes ago.
The terrifying thought of this child freezing to death crosses my mind as I plan what to do next. I wonder if I’m cut out for this. Maybe there’s a reason why there aren’t more black and minority ethnic women working in environments like this. I tighten my hood around my ski goggles and try to quieten my mind. I think about all the reasons that qualify me to be more than capable in this environment, and give myself a mental slap around my face.

I am a nurse, trained in emergency and mountain medicine. In my seasonal job, I help run ski programmes in the Alps for international schoolchildren. I take groups out in the mountains, instructing them along the way. I’m responsible for their wellbeing back at the communal chalet, and I run a clinic in the mornings and evenings ensuring the children are healthy and well. I also manage any minor injuries and liaise with the local doctor or worried parents back home. And so when anyone is injured on the mountain, I am often first on scene.

And whilst the Alps are my favourite place in the world, the mountains can also be terrifying when bad weather sets in. Get complacent out here, and it can kill you. But it’s rare that I experience complacency out here.
That’s because, as a woman who is mixed race, I have found many barriers to overcome to truly feel a sense of belonging to a particular country or place. This is sometimes heightened when I’m in the outdoor industry and environments. The mountaineering scene is very white male dominated. Even more so within the mountain medicine scene. These spaces can be tough and competitive, and even sometimes misogynistic.
Not everyone can be welcoming or accepting. I’ve had unkind looks and comments about my skin tone. I’ve had people marvel at seeing a person with ‘Afro’ hair on the ski slopes, or at the climbing crag. Some even think it’s alright to try and touch my face or hair without asking.
Grand Paradiso ski inversion
Thanks to my upbringing, I am a resilient person. Born of a black South African father and a white British mother, all my family that I know of, except me, are white. Growing up in close proximity to the Peak District, my mum would always take me walking on the moors, or bivvying in secret valleys as a child. We would forage for bilberries on warm summer evenings and wild swim in quiet plunge pools.
So I grew up happy and confident in the outdoors. My gender or race wasn’t ever an issue when I was out in nature with my mum. Mum’s resourcefulness and passion in wild spaces is something I would eventually inherit.
But it took a long time. As I grew older I stopped enjoying being outdoors, I felt disconnected with the environment. Hill walking became boring, it lacked people my age and culture. I got into a trap of working long hours and partying long nights. I was not living a life that made me feel alive.
In the last few years, I rediscovered the majesty of the outdoors. Ironically, it was when I was living in a big city when I began climbing. In the inner city bouldering gyms, I developed a taste for bigger adventures and, spending every penny I earnt from my wage as an emergency nurse, began travelling to the Alps and finding new opportunities. I learnt how to be playful in nature once again. Within a year I’d learnt to climb huge rock faces, and to ski. I even gained an instructor qualification. It was time to develop myself in the mountain medicine field.

There are many challenges of working autonomously in a mountain environment when first on the scene, such as having to make a call on the best course of action and being confident in my own decision-making process. In these instances, I have to throw aside any issues with confidence concerning gender and race.
Valais Map Chamonix Map
As vital minutes pass on the mountain, I call SOS again. Due to the bad weather they are struggling to get to us. The time is ticking away. The child is becoming drowsier by the second.
The most important thing right now is to keep him warm and alert. Ed ends up cuddling next to the child to protect him from the elements, and we wrap him in spare layers and an emergency blanket. I use the hard backing from my backpack to try my best to immobilise the leg to create some comfort for the boy.

We are so close to some shelter. But the child is too heavy, the snow too deep, and he’s in too much pain for us to lift him. We devise a plan to use the emergency blankets and ski poles to build a makeshift sled to slide him to safety.
I begin to open our bags and rifle through items, trying to plan our escape. At altitude, and stomping through thick snow, I’m gasping for breath. But I’m determined to get the three of us to safety.
Being a rarity in these environments is hard at times, but also a privilege. I have been blessed having a mother who instilled confidence in me, but many women don’t have this.
Aiguille du midi decent
Therefore I feel a responsibility to be prepared and welcoming, a role model to those who can’t imagine themselves in these spaces. I’m happy to open up conversations with people who are intrigued by me. But I can’t help thinking about those in my community who might find this behaviour off putting, who perhaps have never had hard weathering of the outdoors or confidence passed down from generation to generation. Who may decide they feel too uncomfortable in these environments to persevere.
Whilst the outdoor industry has a great role to play in reaching minorities and being more inviting to a wider audience, the mountaineering community also has a responsibility to pick up the mantle, for the important work of building women up.

My current projects are now with women’s clubs that do exactly that. Such as the Black Girls Hike organisation, which provides a safe space for women exploring their first entry point into the outdoors. This in turn may springboard into bigger adventures like with the Women’s Alpine Adventure Club, where women can share skills and gain confidence in activities like climbing, skiing and mountaineering, no matter what their starting point.
Although I have been unable to get to the Alps this winter due to travel restrictions, I have had the privilege of opening up conversations about diversity and inclusion in mountain environments. I have run talks and provided resources for ski and mountaineering club members and guides.
When I’m asked about the topic of race and equality, I am faced with a deep questioning. It’s a delicate topic. Greater disparity can occur when everyone is treated ‘equally’ so I have opted to take the stance that we can instead be equitable. As an outdoor community we can foster an inclusive environment by normalising equitable practices.
Times are changing and I have hope that with certain grassroots projects women are given an opportunity to share skills, lead each other, and thrive in wild spaces. I wonder how long it will take for the outdoor industry to catch up. How long it will be until I encounter another black woman in a critical role like mine.
I hear a muffled whirr of something in the distance and my heart rises with relief as we see a skidoo with a sled arriving through the dense grey. Thankful for backup and emergency supplies, I shuffle through the knee-deep snow to wave at the SOS team, desperate that they don’t miss us. They arrive, and I hurriedly help to unpack the sled and shout through the intense weather to tell the crew what’s happened.

Within what feels like a few moments, the child is assessed, wrapped up, given pain relief and taken down the mountain to hospital. We watch as he is sped away into the thickening grey of the mountain.
The biting cold has now numbed my fingers as I prepare my skis for the long cold journey back to the village. As I make my descent, I consider the next challenges that these mountains will bring.
To read more about Tselane’s experiences as a mountain nurse, head to DiscoverInteresting.com

Photos By Nick Arthur and Ed Howell-Jones
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Conservation Photography
National Geographic Explorer Thomas Peschak to Receive 2025 Eliza Scidmore Award for Outstanding Storytelling

This year’s award recognizes Peschak’s legacy of visually illuminating ecosystems, including the people advocating for them, while connecting audiences to the importance of conservation

Award-winning photographer and National Geographic Explorer Thomas P. Peschak will receive the National Geographic Society’s 2025 Eliza Scidmore Award for Outstanding Storytelling for his long legacy of conservation storytelling at National Geographic and beyond.
The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.

The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.
While Peschak began his career training as a marine biologist specializing in human-wildlife interactions, he eventually moved to photojournalism after realizing his impact on conservation could be greater through storytelling to inspire change. Now, Peschak’s accomplishments are world-renowned, with 18 Wildlife Photographer of the Year wins, seven World Press Photo Awards, and most recently, the 2024 Wildlife Photojournalist Story Award — all for his significant work documenting some of the most crucial conservation stories of our time.

“Tom’s work is rooted in a commitment to drive meaningful impact. Whether documenting vital ecosystems, the plight of at-risk species or the stories of communities, his images open our eyes to the world, make it clear what’s at stake and inspire us to act,” said Jill Tiefenthaler, CEO of the National Geographic Society. “Tom’s dedication to illuminating and protecting the wonder of our world defines his work, and it’s why we are deeply honored to present him with the 2025 Eliza Scidmore Award for Outstanding Storytelling.”
Most recently, he was the lead storyteller on the National Geographic and Rolex Perpetual Planet Amazon Expedition, a multiyear series of solutions-centered science expeditions spanning the entire Amazon River Basin. Working with fellow Explorers and local communities, Peschak immersed himself in the basin for 396 days to reveal its aquatic and wetland habitats. The single-topic October issue of the National Geographic magazine was devoted entirely to Peschak’s stunning images of the Amazon Expedition. Starting with ice axes and crampons in the icy high Andes and finishing with scuba gear in the Atlantic Ocean, he created the first-of-its-kind comprehensive photographic archive of our planet’s most iconic and biodiverse river system.

To date, Peschak has photographed 20 National Geographic magazine features on various subjects, including manta rays, sea turtles, climate change in Antarctica and the global seabird crisis, the latter of which resulted from a Society grant in 2017. Seeking to address the loss of 230 million seabirds over 60 years, Peschak mined archives for images of seabird colonies in Peru taken 100 years ago and re-photographed those same locations, presenting these images side by side in an innovative multimedia display to visualize this staggering absence in the hopes of protecting this ecologically critical and unique species.

In addition to his extraordinary photojournalistic work, Peschak has written and photographed eight books, including “Sharks and People,” which chronicles the relationship between people and sharks around the world, and “Wild Seas,” a collection of photos taken by Peschak documenting the beauty and fragility of underwater life and wild coastlines from around the world. He has also appeared as a speaker for the National Geographic Live! series, having presented over 20 shows in 15 cities on three continents.

“Photography and storytelling aren’t just about highlighting places with unique biodiversity, especially when areas like the Amazon basin are under siege every day from issues like overfishing, pollution and climate change,” said Peschak. “To capture the full scale, it’s imperative to highlight these challenges as well as the people who are facing them head-on: local communities, Indigenous peoples, researchers and other Explorers. The goal and hope with my work has always been to photograph places I love in order to help save them, so it is a true honor to receive this award and get to continue to work on important stories of conservation.”

While remaining a cornerstone of storytelling work at the Society, Peschak continues to focus on marine conservation storytelling more broadly, serving as the director of storytelling for the Save our Seas Foundation — an organization he has been an integral part of for almost two decades. He is also a founding director of the Manta Trust and a senior fellow of the International League of Conservation Photographers.
Peschak will be honoured as the 2025 Eliza Scidmore Award recipient during the annual National Geographic Society Storytellers Summit in February 2025. To learn more about Peschak and other Explorers’ work, visit our website here.
ABOUT THE NATIONAL GEOGRAPHIC SOCIETY
The National Geographic Society is a global nonprofit organization that uses the power of science, exploration, education and storytelling to illuminate and protect the wonder of our world. Since 1888, National Geographic has pushed the boundaries of exploration, investing in bold people and transformative ideas, providing more than 15,000 grants for work across all seven continents, reaching 3 million students each year through education offerings, and engaging audiences around the globe through signature experiences, stories and content.
Conservation Photography
Manta Ray Magic: Witnessing a Feeding Frenzy in the Great Barrier Reef – Photography by Aliya Siddiqi
While working at an island that’s known as “the home of the manta ray,” it’s easy for most of us staff to get jaded at seeing one or two manta rays…per day. Maybe they do a quick cruise past, or maybe a stop at the cleaning station. But when these mantas do aggregate around this small island on the Great Barrier Reef, those are the days that turn into pure magic. And it reminds us all as to why these animals are so spectacular to interact with.

Manta rays, more specifically Manta alfredi, are unique in the contrast between their large size and inquisitive behavior around humans. Despite reaching average lengths of three to five meters wingtip to wingtip, they are filter feeders and seek out the smallest creatures in the ocean to feed on. The diets of manta rays are found to consist mostly of different types of zooplankton, small creatures that range from microscopic single-celled organisms to the larvae of larger animals like crabs, octopuses, and fish. Zooplankton are heterotrophic, meaning that they obtain their energy from feeding on other organisms including phytoplankton and other zooplankton. In this photo series, all of those small dots sparkling in the photos indicate a high number of plankton.

According to scientists studying the island aggregation site, the higher biomass of zooplankton seems to be a result of “local concentration and retention processes around the island”. Though still unknown why these zooplankton blooms around the island happen, when it does become what we call “manta soup,” the foraging behaviour of the manta rays gives guests and staff some unforgettable experiences. The elasmobranchs ensure filter-feeding efficiency by looping around consistently in nutrient-dense areas. All one must do is stay in that same spot and wait for the mantas to swoop in and detour around you – though with strong currents, this is often more easily said than done. However, some days you get lucky when the weather window blesses you with no wind, high zooplankton biomass, and an influx of manta rays.
These photos come from a day like that, making it almost too easy for an amateur photographer like me to capture these charismatic animals. The mantas were swooping in and out, with some of the females displaying quite pregnant bellies. Like any aggregation site, tourism operators greatly benefit from the frequency at which these animals appear. Their docile and curious nature also makes them excellent flagship species for marine conservationists. Listed as Vulnerable to Extinction by the IUCN, these experiences with the public allow for an opportunity to discuss the challenges our oceans are facing, and why protection is of the utmost importance.

Conservation Photography
Cleaning Stations & Coastal Cruising – Under the Waves with Karim Iliya, October 2024

This is a turtle cleaning station. You can see the turtle in the back getting cleaned by a fish which eats parasites and algae off the turtle’s skin, shell, and scales. The turtle in the front is waiting its turn. This is a symbiotic relationship in which the turtles get cleaned, and the fish get a meal.

A Hawaiian green sea turtle cruises beneath the waves off the coast of Hawaii. This turtle was eating algae off the rocks, seemingly unaffected by the powerful turbulent water all around. When not eating algae, these turtles spend much of their time laying on the nearby beach .
Karim was published in National Geographic magazine for his humpback whale photography. He now leads his own trips so that others can swim with whales.
If you are interested in swimming with or photographing humpback whales, Karim guides people on small trips between August and October every year in Tonga. Visit www.dancewithwhales.com to find out more
To see more of Karim’s work, visit his website at www.karimphotography.com

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