Conservation Photography
Pygmy Seahorse – Photo taken in Indonesia – Jack’s July Underwater Photograph

The tiny pygmy seahorse was not discovered until 1969 due to its impressive camouflage (and minuscule size) which had, until then, kept it undetected by scientists. It was only when a new Caledonian scientist, George Bargibant was examining samples of gorgonian (Muricella sp.) fans on his dissection table that he noticed a tiny pair of seahorses. The following year, 1970, the seahorses were officially named as Bargibant’s pygmy seahorse (Hippocamus bargibanti).
Bargibanti pygmy seahorses are extreme habitat specialists, spending their entire adult life on a single gorgonian coral of the species Muricella paraplectana or M. plectana. Bargibanti’s are one of the smallest seahorse species in the world and only grow to around ¾ of an inch. They are able to change their coloration to blend almost entirely with their host fan. They also adopt “tubercles”, which are the warty like nodules on their bodies which closely resemble the buds of the fan. This species attaches itself to the fan by wrapping its prehensile tail around one of the branches to act as an “anchor”.
The size of these seahorses renders it impossible for them to survive alone. They are too small to handle currents and they are not strong swimmers – for this reason they are found living in close proximity to one another, with small colonies of up to 20 adults existing on a single fan.
The barigibanti’s snout and mouth size means it is not possible for them to consume large pieces of food so they exist on a diet of extremely small food particles brought to them directly by currents or which becomes caught on the fans outstretched branches. This species does not have a digestive system so they spend most of their time eating or resting. During mating they will ingest less than usual for a short period.
Bargibanti’s do not mate monogamously and may swap mates within the colony. Mating can occur all year round, providing they have a good supply of food and minimum stress. Great care must be taken when viewing and photographing any marine life but this species of seahorse is particularly susceptible to damage from poor diving and photography techniques. It is vital that neither the seahorses nor their gorgonian host are touched in any way – by human hand or diving or photography equipment. Excellent buoyancy is essential – if you’d like to work on your buoyancy while you are here, take a look at our PADI Courses. The PADI Advanced Open Water Course includes a Peak Performance Buoyancy dive, or if you are already Advanced, try the PADI Buoyancy Specialty to hone your skills.
The bargibanti mating process involves the females depositing eggs into the body of the male. Males have a “pouch” which allows them to carry the eggs up to the point where they are ready to be released. The male will usually carry the eggs for several weeks before giving birth to fully formed offspring. Did you know that the warmer the water, the faster the embryos develop and the shorter the gestation time? It’s true!
See more of Jack Fung’s underwater photography on Instagram
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Conservation Photography
National Geographic Explorer Thomas Peschak to Receive 2025 Eliza Scidmore Award for Outstanding Storytelling

This year’s award recognizes Peschak’s legacy of visually illuminating ecosystems, including the people advocating for them, while connecting audiences to the importance of conservation

Award-winning photographer and National Geographic Explorer Thomas P. Peschak will receive the National Geographic Society’s 2025 Eliza Scidmore Award for Outstanding Storytelling for his long legacy of conservation storytelling at National Geographic and beyond.
The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.

The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.
While Peschak began his career training as a marine biologist specializing in human-wildlife interactions, he eventually moved to photojournalism after realizing his impact on conservation could be greater through storytelling to inspire change. Now, Peschak’s accomplishments are world-renowned, with 18 Wildlife Photographer of the Year wins, seven World Press Photo Awards, and most recently, the 2024 Wildlife Photojournalist Story Award — all for his significant work documenting some of the most crucial conservation stories of our time.

“Tom’s work is rooted in a commitment to drive meaningful impact. Whether documenting vital ecosystems, the plight of at-risk species or the stories of communities, his images open our eyes to the world, make it clear what’s at stake and inspire us to act,” said Jill Tiefenthaler, CEO of the National Geographic Society. “Tom’s dedication to illuminating and protecting the wonder of our world defines his work, and it’s why we are deeply honored to present him with the 2025 Eliza Scidmore Award for Outstanding Storytelling.”
Most recently, he was the lead storyteller on the National Geographic and Rolex Perpetual Planet Amazon Expedition, a multiyear series of solutions-centered science expeditions spanning the entire Amazon River Basin. Working with fellow Explorers and local communities, Peschak immersed himself in the basin for 396 days to reveal its aquatic and wetland habitats. The single-topic October issue of the National Geographic magazine was devoted entirely to Peschak’s stunning images of the Amazon Expedition. Starting with ice axes and crampons in the icy high Andes and finishing with scuba gear in the Atlantic Ocean, he created the first-of-its-kind comprehensive photographic archive of our planet’s most iconic and biodiverse river system.

To date, Peschak has photographed 20 National Geographic magazine features on various subjects, including manta rays, sea turtles, climate change in Antarctica and the global seabird crisis, the latter of which resulted from a Society grant in 2017. Seeking to address the loss of 230 million seabirds over 60 years, Peschak mined archives for images of seabird colonies in Peru taken 100 years ago and re-photographed those same locations, presenting these images side by side in an innovative multimedia display to visualize this staggering absence in the hopes of protecting this ecologically critical and unique species.

In addition to his extraordinary photojournalistic work, Peschak has written and photographed eight books, including “Sharks and People,” which chronicles the relationship between people and sharks around the world, and “Wild Seas,” a collection of photos taken by Peschak documenting the beauty and fragility of underwater life and wild coastlines from around the world. He has also appeared as a speaker for the National Geographic Live! series, having presented over 20 shows in 15 cities on three continents.

“Photography and storytelling aren’t just about highlighting places with unique biodiversity, especially when areas like the Amazon basin are under siege every day from issues like overfishing, pollution and climate change,” said Peschak. “To capture the full scale, it’s imperative to highlight these challenges as well as the people who are facing them head-on: local communities, Indigenous peoples, researchers and other Explorers. The goal and hope with my work has always been to photograph places I love in order to help save them, so it is a true honor to receive this award and get to continue to work on important stories of conservation.”

While remaining a cornerstone of storytelling work at the Society, Peschak continues to focus on marine conservation storytelling more broadly, serving as the director of storytelling for the Save our Seas Foundation — an organization he has been an integral part of for almost two decades. He is also a founding director of the Manta Trust and a senior fellow of the International League of Conservation Photographers.
Peschak will be honoured as the 2025 Eliza Scidmore Award recipient during the annual National Geographic Society Storytellers Summit in February 2025. To learn more about Peschak and other Explorers’ work, visit our website here.
ABOUT THE NATIONAL GEOGRAPHIC SOCIETY
The National Geographic Society is a global nonprofit organization that uses the power of science, exploration, education and storytelling to illuminate and protect the wonder of our world. Since 1888, National Geographic has pushed the boundaries of exploration, investing in bold people and transformative ideas, providing more than 15,000 grants for work across all seven continents, reaching 3 million students each year through education offerings, and engaging audiences around the globe through signature experiences, stories and content.
Conservation Photography
Manta Ray Magic: Witnessing a Feeding Frenzy in the Great Barrier Reef – Photography by Aliya Siddiqi
While working at an island that’s known as “the home of the manta ray,” it’s easy for most of us staff to get jaded at seeing one or two manta rays…per day. Maybe they do a quick cruise past, or maybe a stop at the cleaning station. But when these mantas do aggregate around this small island on the Great Barrier Reef, those are the days that turn into pure magic. And it reminds us all as to why these animals are so spectacular to interact with.

Manta rays, more specifically Manta alfredi, are unique in the contrast between their large size and inquisitive behavior around humans. Despite reaching average lengths of three to five meters wingtip to wingtip, they are filter feeders and seek out the smallest creatures in the ocean to feed on. The diets of manta rays are found to consist mostly of different types of zooplankton, small creatures that range from microscopic single-celled organisms to the larvae of larger animals like crabs, octopuses, and fish. Zooplankton are heterotrophic, meaning that they obtain their energy from feeding on other organisms including phytoplankton and other zooplankton. In this photo series, all of those small dots sparkling in the photos indicate a high number of plankton.

According to scientists studying the island aggregation site, the higher biomass of zooplankton seems to be a result of “local concentration and retention processes around the island”. Though still unknown why these zooplankton blooms around the island happen, when it does become what we call “manta soup,” the foraging behaviour of the manta rays gives guests and staff some unforgettable experiences. The elasmobranchs ensure filter-feeding efficiency by looping around consistently in nutrient-dense areas. All one must do is stay in that same spot and wait for the mantas to swoop in and detour around you – though with strong currents, this is often more easily said than done. However, some days you get lucky when the weather window blesses you with no wind, high zooplankton biomass, and an influx of manta rays.
These photos come from a day like that, making it almost too easy for an amateur photographer like me to capture these charismatic animals. The mantas were swooping in and out, with some of the females displaying quite pregnant bellies. Like any aggregation site, tourism operators greatly benefit from the frequency at which these animals appear. Their docile and curious nature also makes them excellent flagship species for marine conservationists. Listed as Vulnerable to Extinction by the IUCN, these experiences with the public allow for an opportunity to discuss the challenges our oceans are facing, and why protection is of the utmost importance.

Conservation Photography
Cleaning Stations & Coastal Cruising – Under the Waves with Karim Iliya, October 2024

This is a turtle cleaning station. You can see the turtle in the back getting cleaned by a fish which eats parasites and algae off the turtle’s skin, shell, and scales. The turtle in the front is waiting its turn. This is a symbiotic relationship in which the turtles get cleaned, and the fish get a meal.

A Hawaiian green sea turtle cruises beneath the waves off the coast of Hawaii. This turtle was eating algae off the rocks, seemingly unaffected by the powerful turbulent water all around. When not eating algae, these turtles spend much of their time laying on the nearby beach .
Karim was published in National Geographic magazine for his humpback whale photography. He now leads his own trips so that others can swim with whales.
If you are interested in swimming with or photographing humpback whales, Karim guides people on small trips between August and October every year in Tonga. Visit www.dancewithwhales.com to find out more
To see more of Karim’s work, visit his website at www.karimphotography.com

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