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M.S. Position in Aquaculture Microbiology

Auburn University – School of Fisheries, Aquaculture, and Aquatic Sciences (Bruce Laboratory)

Salary: Commensurate / Negotiable
Hours per Week: 20–40


Position Summary:
A Master of Science (M.S.) research assistantship is available at Auburn University in Dr. Tim Bruce’s Fish Health Lab, part of the School of Fisheries, Aquaculture, and Aquatic Sciences (SFAAS).

The Bruce Lab focuses on host-pathogen interactions in cultured fish species, fish health nutrition, vaccines, and therapeutants.

This two-year appointment includes coursework and independent research at the E.W. Shell Fisheries Center. Tuition waivers are typically provided.


Key Responsibilities:

  • Conduct experimental laboratory studies (~80%) and in vivo fish trials (~20%).
  • Examine microbial interactions using molecular techniques relevant to U.S. aquaculture (catfish, largemouth bass, tilapia).
  • Perform genomic and proteomic analyses.
  • Maintain data management systems for microbiology experiments.
  • Assist with fish husbandry and aquaculture trials.
  • Conduct microbiological assays (culture, identification, sequencing).
  • Apply molecular biology techniques (e.g., SDS-PAGE, Western blot, qPCR, proteomics).
  • Work independently and collaboratively in a laboratory setting.

Qualifications:

  • Bachelor’s degree in Microbiology or Biological Sciences.
  • Strong understanding of microbiology, fish health, and immunology.
  • Proficiency in data management and programming software.
  • Experience with molecular biology techniques and lab assays.
  • Valid driver’s license and reliable transportation.

Enrollment & Approval:
This M.S. appointment is subject to academic approval. The selected candidate will enroll in Auburn University’s School of Fisheries, Aquaculture, and Aquatic Sciences (SFAAS) graduate program.

For more information, visit http://sfaas.auburn.edu/programs-of-study/graduate-studies/.


Application Instructions

Submit the complete application packet via email to tjb0089@auburn.edu by May 15, 2025.

The single PDF packet must include:

  • Cover Letter outlining background, interests, and career goals.
  • Curriculum Vitae (CV).
  • Three professional references (name, email, phone).
  • Unofficial transcripts.

Documents not submitted in this format will not be reviewed.

Start Date: After August 11, 2025

Contact Information:
Dr. Tim Bruce
Email: tjb0089@auburn.edu

For general Auburn University information, visit http://www.auburn.edu/main/welcome/index.php

To apply for this job email your details to tjb0089@auburn.edu

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Book Suggestion

As US Federal Climate Disaster Protections Crumble, Look To Indigenous Leadership and Keep Multinational Corporations On the Hook

Book cover of Truth Demands by Abby Reyes, featuring a collage of torn landscape images with the subtitle “a memoir of murder, oil wars, and the rise of climate justice.”

When Colombia entered its post-civil war transitional justice process, the investigatory magistrates sought to recognize me as a victim in Case 001 of their truth and recognition chamber. Their invitation came 20 years to the day after we found the bodies of my partner Terence Unity Freitas and his mentor-colleagues Ingrid Washinawatok El-Issa (Menominee) and Lahe’ena’e Gay (Hawaiian). They were kidnapped and murdered in 1999 upon exiting Indigenous U’wa territory in northeastern Colombia, near land then coveted by a U.S. oil company.

Gingerly Terence’s mother and I breathed life into our questions long dormant about the role of Occidental Petroleum at the time of the murders in that part of Colombia, where oil pipelines have always been a magnet for armed violence. We wondered if finally we had found a forum robust enough to hold the weight of our inquiry.

The answer was no. The reason was a failure of imagination exacerbated by procedural capture. We can learn from Colombia’s mistakes.

As our own democracy falters, and the backbone of domestic federal environmental, climate, and civil rights protections breaks, it is time for us to look to the instruction Indigenous societies like Pueblo U’wa in Colombia offer for procedural guidance.

For Pueblo U’wa, oil is the blood of the Earth and the Earth is our mother. To sustain life, they say, we have to keep the oil in the ground. For the U’wa, it’s not about a sustainable development framework, or weighing interests among stakeholders. Rather, for the U’wa, the purpose of human life is to maintain equilibrium between the world below the surface of the Earth, and the world above, where we live our daily lives.

The Pueblo U’wa maintain this equilibrium through song: Songs that last days. Songs that every U’wa child learns. Songs that tell stories of our interdependence with the rivers, mountains, forests, oceans from which we come and to which we are beholden for planetary survival. In a letter home to a friend shortly before his murder, Terence observed, “this is the reason we are doing this work, so that people can listen to singing.” Defending the space for the song’s narrative defends people’s access to remembering who they are, a key to bold action. For life to sustain, the voice of the song must remain inviolate.

In the transitional justice process, Colombia considered an oil company to be a third party to the armed conflict. Although investigation of the role of third parties had originally been part of the envisioned charge, the judicial decision that finalized the investigatory scope of the truth and recognition chamber eliminated it. Business elites had ensured that third parties such as multinational resource extraction corporations were excluded from investigation.

In Terence’s notebooks, he meditated on the voice of silence in the U’wa people’s resistance to oil extraction in their territory. “Where is the voice of silence? Of women? Of children? Of the communities that cannot speak publicly about opposition to petrol?” He wondered about the relationship between silence and fear. His final note regarded the silence of “the sound of the stumps cut during seismic line studies.” In U’wa territory, Terence contemplated the narrative that silence elicits. In relegating corporations like Occidental Petroleum to third-party status, Colombia designed the truth and recognition chamber in a manner that restricted the range of stories that could be safely elicited. The narrative of silence was thus harder to hear. The sound of the stumps cut during seismic line studies did not ring out in the chamber. Earth itself was also rendered a third party, peripheral to the deliberations.

We are familiar with this playbook of course; it is, after all, our own corporations and those doing their bidding who are wreaking havoc on democratic institutions both abroad and here at home. But for a future to be possible, the truth demands that we move these so-called third parties—the corporations, the voices of community, and the not-so-silent voice of the Earth—out of the periphery and into the center of our vision.

As our institutions are eviscerated, we can take heart and reconstitute ourselves around a recent judicial ruling that did just that. In a case that Pueblo U’wa has diligently pursued since before the 1999 murders, the highest human rights court in the hemisphere—the Inter-American Court of Human Rights—just ruled in the community’s favor. Especially in this moment when everything tells us the opposite, Caso U’wa signals a course correction that we would do well to hear and amplify: For a livable planet, time’s up on the narrative of fossil fuel extraction as economic panacea.

In the context of the climate crisis, Caso U’wa highlights the importance of ancestral knowledge and the right of Indigenous peoples to self-determination in the face of extractive projects that threaten their existence.

In the battle of competing narratives for our collective future, Pueblo U’wa played the long game and won. I have to believe that, in the end, we will, too. In these preposterous times, this is the collective pivot we make now to step forward into the livable climate future we know is possible.

Abby Reyes’ memoir, Truth Demands: A Memoir of Murder, Oil Wars, and the Rise of Climate Justice, is available now through Penguin Random House: https://www.penguinrandomhouse.com/books/645675/truth-demands-by-abby-reyes/


About the Author

Abby Reyes

Abby Reyes began her career with rural environmental legal assistance in the Philippines, her father’s homeland, and walking alongside the Colombian U’wa Indigenous pueblo for dignity against big oil. As an environmental and human rights lawyer, she directs community resilience at University of California Irvine, supporting community-academic partnerships to accelerate community-owned just transition solutions.

Reyes is also a lecturer at UC Irvine School of Law.

A graduate of Stanford University and UC Berkeley Law, she is a partner of the National Association of Climate Resilience Planners and recently stepped down from the board of directors of EarthRights International after nearly a decade.

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Art & Culture

Announcing the Winners of the 2025 Science Without Borders® Challenge

A Tribute to the Ocean’s Keystone Species:

Announcing the Winners of the 2025 Science Without Borders® Challenge

ANNAPOLIS, MD — The Khaled bin Sultan Living Oceans Foundation is proud to announce the winners of the 2025 Science Without Borders® Challenge, an international student art contest that promotes ocean conservation. This year’s theme, Marine Keystone Species, invited students to create artwork highlighting species that play a critical role in maintaining the structure and health of ocean ecosystems.

Open to primary and secondary school students 11–19 years old, the competition received an overwhelming response this year. Over 1,300 young artists from 75 countries submitted artwork—each piece a unique interpretation of a marine keystone species, from sea otters and mangroves to corals and sharks. These species may not always be the most numerous or well-known, but they have an outsized impact on their environment. Their presence helps maintain biodiversity, balance food webs, and support ecosystem resilience. If a keystone species is removed, the entire ecosystem could shift dramatically or collapse. Through their art, students explored these complex ecological relationships and made a compelling case for ocean conservation.

Artwork in the competition was judged in two categories based on age. The winning entries are not only beautiful pieces of artwork—they are a tribute to the animals that keep our ocean ecosystems in balance.

Hyungjun Chin, 18, from the Republic of Korea, holding his winning artwork "The Keeper" featuring a sea otter in a kelp forest.

In the 15–19 age group, the first-place winner of the 2025 Science Without Borders® Challenge is Hyungjun Chin, with his enchanting piece, “The Keeper.” An 18-year-old student from the Republic of Korea, Hyungjun’s artwork depicts a sea otter eating sea urchins in a vibrant kelp forest, highlighting the otter’s role in protecting the kelp from overgrazing.

“Winning the Science Without Borders Challenge® means a lot to me,” said Hyungjun. “It feels incredibly rewarding to have my artwork recognized on an international level, especially when it’s about a topic I care deeply about—the environment. I wanted my artwork to show how every species has a role and how protecting even one can save many.”

Kimin Kim from the Republic of Korea with her second-place artwork “Bridge Between Waters and Worlds,” featuring mangroves and fish.

Second place in the 15–19 category went to Kimin Kim of the Republic of Korea for her artwork, “Bridge Between Waters and Worlds.” Her piece highlights the importance of mangrove trees as habitat for species both above and below the waterline, and their role in purifying the water for nearby seagrass meadows.

Daniel Yu from Hackensack, NJ, standing beside his colorful mangrove-themed artwork “The Sea's Yggdrasil.”

Daniel Yu from Hackensack, New Jersey, claimed third place with “The Sea’s Yggdrasil,” a striking portrayal of mangroves as ecosystem engineers—stabilizing coastlines, preventing erosion, and filtering pollutants from the water to support surrounding marine life.

Gia Kim, age 12, from Los Angeles, holding her painting “Melting Grounds” depicting krill and glacial waters.

In the 11–14 age group, Gia Kim, age 12, from Los Angeles, California, earned first place for “Melting Grounds,” her powerful painting of krill—tiny but vital creatures that form the heart of the food web in the Arctic and Antarctic. Her artwork illustrates how the loss of such species, due to threats like climate change and ocean acidification, could lead to ecological collapse.

“I hope this piece raises awareness about our damaged ocean and what could happen if we continue to harm it,” said Gia. “This is our planet, and we can make a change, starting with our warming ocean.”

Kate Wang standing on a wooden deck holding her seagrass-themed painting “Seagrass Savior.”

Second place in the 11–14 age group went to Kate Wang from Canada for “Seagrass Savior,” which illustrates how the large appetites of tiger sharks help protect fragile seagrass ecosystems.

Annie Douglas from The Bahamas standing beside her painting of a coral reef ecosystem titled “The Beauty of Coral Reef.”

Third place was awarded to Annie Douglas from The Bahamas for “The Beauty of Coral Reef,” celebrating reef-building corals. Although coral reefs cover less than 1% of the ocean floor, they support roughly 25% of all marine species, including over 4,000 kinds of fish.

Each of the winners will receive scholarships of up to $500 from the Khaled bin Sultan Living Oceans Foundation to celebrate their achievements and help them pursue their interests in art and ocean conservation.


Now in its 13th year, the Science Without Borders® Challenge continues to engage students in important ocean science and conservation topics through art. The Khaled bin Sultan Living Oceans Foundation created the competition to educate students around the world about the need to preserve our oceans and inspire the next generation of ocean advocates.

“The goal of this contest has always been to educate students about the ocean through art,” said Amy Heemsoth, Chief Operating Officer and Director of Education at the Foundation. “This year’s theme helped them understand how essential certain species are to the health of marine ecosystems. Their artwork serves as a powerful reminder of our responsibility to protect our oceans for future generations.”

The Khaled bin Sultan Living Oceans Foundation extends its heartfelt congratulations to all the winners and participants of the 2025 Science Without Borders® Challenge, and thanks them for using their creativity and passion to inspire positive change for our oceans.


For more information:
Visit: www.LOF.org


 

Gallery


About the Organizations:

About the Science Without Borders® Challenge:
The Science Without Borders® Challenge is an international student art contest run by the Khaled bin Sultan Living Oceans Foundation to engage students in marine conservation through art. The annual competition welcomes entries from all primary and secondary school students 11–19 years old. Scholarships of up to $500 are awarded to the winning entries. Students and teachers interested in next year’s competition can learn more and apply at:
www.livingoceansfoundation.org/SWBchallenge

About the Khaled bin Sultan Living Oceans Foundation:
The Khaled bin Sultan Living Oceans Foundation is a nonprofit environmental organization dedicated to protecting and restoring the health of the world’s oceans. Through science, outreach, and education, the Foundation works to conserve coral reefs and other tropical marine ecosystems, enhance ocean literacy, and inspire conservation action. Learn more at www.livingoceansfoundation.org

 

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News

REEF Opens Ocean Exploration Center with Free Events This June

REEF is opening its new Ocean Exploration Center in Key Largo this June, marking a major step in its mission to connect people with the ocean. The space is designed to bring marine science, conservation, and education to life for all ages. Opening its door to explore the ocean without ever entering the water (well, we still encourage you to!).

Promotional banner for REEF’s Ocean Exploration Center Grand Opening with coral reef imagery and Key Largo event details.
Join REEF for its grand opening celebration in Key Largo on June 7–8, coinciding with World Ocean Day.

Set for the weekend of June 7 and 8, the Ocean Exploration Center offers more than just architecture and exhibits. The space has been thoughtfully designed as a place for learning, community, and immersion. Attendees will find guided tours, hands-on science demonstrations, and an atmosphere that encourages even the most casual visitor to see themselves as part of the conservation story. Saturday’s events will unfold from 3 to 7 in the afternoon, with ocean-themed games, activities, and local refreshments. Sunday morning brings the launch celebration for REEF’s sixth annual Fish Out of Water Virtual 5K, where participants gather for coffee and snacks before exploring the new center at their own pace. Admission is free, and the experience promises to leave a lasting impression. More information and RSVP details can be found at www.REEF.org/oecgrandopening.

Four women running together in REEF t-shirts during the Fish Out of Water Virtual 5K.

For those unable to attend in person, there is still a way to participate meaningfully. The Fish Out of Water Virtual 5K runs from June 8 to 14, inviting participants around the world to walk, run, bike, swim, or hike their way through five kilometers in honor of World Ocean Day. The event encourages flexibility, reflection, and personal connection to conservation. It’s a movement that doesn’t rely on a podium or stopwatch, but instead emphasizes community and shared values. Proceeds support REEF’s Oceans for All Fund, a program designed to expand access to diving, science, and marine education for individuals who might not otherwise have the opportunity. Registration and details are available at www.REEF.org/5K.

A young woman reading “The World is Blue” by Sylvia Earle on a deck, representing REEF’s Into the Blue Book Club.

For those drawn to the ocean through language and story, REEF’s Into the Blue Book Club offers yet another way to connect. The next meeting takes place on July 10 and will discuss Megalodons, Mermaids and Climate Change: Answers to Your Ocean and Atmosphere Questions by Dr. Ellen Prager and David Jones. Open to all, the virtual gathering offers a chance to explore ocean science and storytelling in conversation with others. Whether you’ve read the book cover to cover or simply want to listen in, the meeting is a warm entry point into a growing community of ocean-minded readers. More information can be found at www.REEF.org/bookclub.

REEF offers a new center, a virtual 5K, and a book club. Each invites people to engage with the ocean in their own way. In a time when conservation can feel overwhelming, REEF keeps it simple: participate, stay curious, and stay connected.

By Junior Thanong Aiamkhophueng


About the Organizations:

Reef Environmental Education Foundation (REEF) is an international marine conservation organization that implements hands-on programs to involve local communities in conservation-focused activities. REEF was founded in 1990 and is based in Key Largo, Florida, with additional staff in Illinois, California, Washington, Colorado, New Jersey, and North Carolina. Its mission is to protect biodiversity and ocean life by actively engaging and inspiring the public through citizen science, education, and partnerships with the scientific community. 

 

 

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