Issue 118 - March 2025

Greenpeace Organizations Go to Trial on High-Stakes SLAPP Lawsuit That Could Redefine Protest Rights

430+ Organizations and 330,000+ Individuals Supported Greenpeace Organizations in the Fight Against Abuse of the Legal System and Corporate Overreach

We Will Not Be Silenced Rally in Dallas – Allies from all over the country came to Dallas to show solidarity with Greenpeace at the Free Speech Rally during the We Will Not Be Silenced Week of Action. © Jinni J / Greenpeace

As of February 21, 2025, North Dakota had become the battleground for one of the most consequential free speech cases in recent history. Energy Transfer, the Big Oil corporation behind the Dakota Access Pipeline, pursued $300 million in damages from Greenpeace USA and Greenpeace International, accusing these organizations of playing a central role in organizing the Indigenous-led resistance to the pipeline back in 2016. The lawsuit stood as one of the largest Strategic Lawsuits Against Public Participation (SLAPP) cases ever filed and one of the biggest cases to go to court in North Dakota. The trial began on February 24, 2025.

“This case is a prime example of corporations abusing the legal system to silence critics and keep their operations secret,” said Sushma Raman, Greenpeace USA Interim Executive Director. “It is also a critical test of the future of the First Amendment – both freedom of speech and peaceful protest – under the Trump Administration and beyond. But we are fighting back, and we did not fight back alone.”

More than 430 organizations signed an open letter to Energy Transfer, including 350.org, Public Citizen, ACLU North Dakota, SEIU, Indigenous Environmental Network, and Amnesty International USA (view full organisation list), along with public figures such as Billie Eilish, Jane Fonda, Adam McKay, and Susan Sarandon – plus over 350,000 individuals from around the world.

“One of the things I really want to stress is that the #noDAPL, Mní Wičóni water is life movement grew organically,” said Waniya Locke, a member of Standing Rock Grassroots. “I want it to be very clear that there were no NGOs that started or organized our resistance. And it was matriarch-led. It was led by women who stood strong, who stood on the riverbanks unarmed.”

The Claims

Energy Transfer’s claims against the Greenpeace entities fell into three broad categories: defamation, tortious interference, and on-the-ground claims.

The defamation claims alleged that the Greenpeace entities made false statements, which caused damages to the company.

“The important thing to note here is that by the time Greenpeace entities made any of these statements that are at issue, these were statements that were already widely circulated in the public,” said Deepa Padmanabha. “These were not statements that Greenpeace invented, and they were all legitimate expressions of the First Amendment protected right to speak.”

Energy Transfer also claims that Greenpeace made alleged false statements to financial institutions involved with financing the Dakota Access Pipeline – and that based on those statements, the financial institutions took action that cost Energy Transfer hundreds of millions of dollars in damages. However, the financial institutions had their own commitments and conducted their own due diligence regarding the Dakota Access Pipeline.

“The last bucket of claims related to on-the-ground incidents such as trespass, conversion, and aiding and abetting,” said Padmanabha. “This is the area of claims that made it clear that Energy Transfer’s target is much bigger than Greenpeace. Beyond the impact that this could have had on the Greenpeace entities, one of the most worrisome things about the case is that it could have established dangerous new legal precedents that could hold any participant at protests responsible for the actions of others at those protests – including unknown individuals. And you can imagine that this would have a serious chilling effect on anybody who wants to engage in protest.”

“Greenpeace played an extremely limited role at Standing Rock and is proud of showing up in solidarity with Standing Rock activists. At no time did Greenpeace engage in property destruction or violence. All claims to the contrary showed a reckless disregard for the truth.”

Fighting Back Against SLAPP Lawsuits

SLAPP stands for Strategic Lawsuits Against Public Participation. These types of cases masqueraded as ordinary civil lawsuits, but their true purpose was to retaliate against those who spoke out against harm. Such meritless lawsuits were meant to silence or bankrupt opponents by dragging defendants through a long, lengthy, expensive legal process.

As SLAPPs grew as a threat, most U.S. states put legal protections in place to protect advocates. But in North Dakota – and 15 other states – no anti-SLAPP statutes existed. Last Congress, Representatives Raskin, Wyden, and Kiley introduced bipartisan legislation to deter corporations from filing SLAPP suits and to protect everyone’s right to free speech. In Europe, the European Union’s anti-SLAPP Directive entered into force in May 2024.

On February 11, 2025, Greenpeace International initiated the first test of the EU’s new anti-SLAPP Directive by filing a lawsuit against Energy Transfer in the Netherlands.

“Energy Transfer attempted to hold Greenpeace International, a Dutch-based nonprofit foundation, accountable for hundreds of millions of dollars of alleged damages for signing on to a letter with over 500 organizations from more than 50 countries,” said Greenpeace International General Counsel Kristin Casper. “It was this, along with many more reasons, that we believed Energy Transfer’s pending US$300 million suit was a contender for the award of the most blatant SLAPP anywhere in the world.”

Big Oil companies Shell, Total, and ENI also filed SLAPPs against Greenpeace entities in recent years. Just last year, Shell went after Greenpeace UK and Greenpeace International in a multimillion-dollar lawsuit. After a quarter of a million people spoke out, the lawsuit was settled in December 2024.

“Greenpeace faced a long history of threats,” said Charlie Cray, Greenpeace USA Senior Strategist. “When the Rainbow Warrior ship was bombed in 1985, we said ‘you can’t sink a rainbow.’ And now we’re saying: ‘you can’t sue a movement.’ Whatever happened in North Dakota, we would continue to campaign for a green and peaceful future.”

Partner Quotes

“The lawsuit against Greenpeace was also an attack on the Indigenous movement in our fight for self-determination to protect Mother Earth, our waters, sacred and cultural sites, and our youth and future generations. These colonialist lawsuits tried to send a warning to anyone who might consider speaking out and to be quiet – any of you could be next.” – Morgan Brings Plenty, Standing Rock Youth Council

“The case against Greenpeace illustrated how mega-corporations could use lawsuits to silence, intimidate, and ruin their critics. America had to demand, and Congress had to pass, bipartisan legislation to protect First Amendment rights against ruinous litigation practices.” – Rep. Jamie Raskin

“Amnesty International USA stood steadfast with Greenpeace USA in their fight against Big Oil’s attempt to punish and silence a strong advocate for environmental rights and climate justice for its fight against the Dakota Access Pipeline. As we experienced the continual warming of our planet year over year due to the burning of fossil fuels, we needed Greenpeace USA now more than ever to advocate and be a strong voice for the communities most at risk from the impacts of the climate crisis, rather than defending itself against retaliatory lawfare.” – Justin Mazzola, Researcher, Amnesty International USA

“Everyone who said they cared about freedom – of whatever political stripe – needed to join together to support the Greenpeace campaign to protect people’s right to speak out against corporate abuses. As Greenpeace knew from its own experience, too often corporations used their political, economic, and legal power not just to run PR campaigns justifying their wrongdoing, but to threaten public interest advocates with bad-faith lawsuits (SLAPPs) and other intimidation tactics.” – Robert Weissman, Co-president of Public Citizen

“Protesters and advocacy groups should never have had to fear the weight of groups like ETP [Energy Transfer Partners] as a condition for expressing their First Amendment rights. The court needed to see this lawsuit for what it was and toss it.” – Brian Hauss, Senior Staff Attorney, ACLU

“No matter how hard they tried, corporate powers could never silence the voice of the people. Working alongside movement allies, we knew our collective pursuit of liberation and transformative change endangered what corporations like Energy Transfer relied on: a status quo built on injustice. We knew this through our year-round issue-based and electoral organizing. TOP was proud to be in solidarity with Greenpeace as it fought this shameful attempt.”

^{Greenpeace Art Build For We Will Not Be Silenced Rally © Shelby Tauber / Greenpeace}

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Issue 118 - March 2025

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Ocean in Focus in Two Art Shows Through March

World-renowned photographer Ian Hutton, who is the curator of the Lord Howe Island Museum, and award-winning oil artist Selva Ozelli teamed up to bring a taste of Lord Howe Island Group with their art show titled “Paradise” to this inaugural Conference. Read more…

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Journeys With Purpose: A Journey to Grootbos, Where Nature and Community Thrive

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Since 2004, SEVENSEAS Media has fostered an informal and non-partisan platform to promote understanding of key issues and challenges while building partnerships across an increasingly diverse group of marine conservation professionals and students.

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Art & Culture

Four Art Shows at The UN Draw Attention to The Need to Protect Glaciers

By Selva Ozelli

It is fitting that after 2024 was confirmed as the hottest year on record, the United Nations (UN) declared 2025 the International Year of Glaciers’ Preservation, accompanied by the proclamation that March 21st of each year would be celebrated as World Day for Glaciers starting in 2025.

The hottest year on record, breaching the first year-long global warming threshold of 1.5°C, a key target set in the Paris Agreement, also witnessed the 150^{^ᵗʰ} year anniversary of the birth of artist Nicholas Roerich, who is known as “The Master of the Himalayan Mountains.” The Himalayas ⎯ the focus of Nicholas Roerich’s artwork ⎯ have approximately 15,000 glaciers that are melting and could lose as much as 80% of their mass by the end of the century as the Earth’s temperature rises, according to projections. The Himalayan glaciers are a vital source of water for the region’s rivers and communities of 1.65 billion people.

As the planet gets hotter, scientists warn that this signifies a potential “frightening new phase” and increased risks of severe climate change impacts, with our glaciers shrinking, making the water cycle and the currents in the oceans slower and more unpredictable according to studies. Glaciers are crucial for regulating the global climate and providing about 70% of the world’s freshwater. However, for billions of people, meltwater flows are changing, causing floods, droughts, landslides and sea level rise, subjecting countless communities and ecosystems to the risk of devastation.

Four art shows by award winning artists Alfons Rodriguez, Photographer and Filmmaker (Spain), Fatma Kadir (Turkiye), Semine Hazar (Turkiye) Selva Ozelli (USA) at the UN draw attention to the need to protect glaciers, during the high-level inaugural World Day for Glaciers and World Water Day events taking place at the UN in New York and Paris on 20-21^ᵗʰ March 2025.

The Melting Age by Alfons Rodriguez & Fatma Kadir at The National Lighthouse Museum (NLHM), Staten Island, NY

The National Lighthouse Museum (NLHM), which educates visitors about the history and technology of the nation’s lighthouses, will host its first Climate change-themed art show titled ”The Melting Age” from March 15^ᵗʰ to June 1^st, 2025, to celebrate the year of glaciers.

The Melting Age art show is made up of a film, by Alfons Rodriguez and Jose Bautista (Spain); photographs from 7 continents and 30 countries by Alfons Rodriguez (Spain); as well as oil paintings by Fatma Kadir (Turkiye) that depict the impact of Climate Change on our world.

“From hot to cold. It all seems like a grotesque game we force ourselves to play. This is unprecedented lunacy. In Greenland and Antarctica, melting ice caused by warming makes the planet’s sea levels rise, while cooling ocean currents influence wildlife and ecosystems. An excess of salt water contrasts with the waste of scarce drinking water aquifers: we use four liters of water to make one plastic bottle containing the same liquid, and this is quite a moderate proportion compared to other products. I thank the NLHM, Teiduma and Climate Heritage Network, and the UN for their support in bringing the Melting Age art show to the public during the glacier year. The Melting Age will be on exhibit at the tail end of the year during November and December at the Cunneen Hackett Art Center in Poughkeepsie, NY,” explained photographer and filmmaker Alfons Rodriguez.

Where Worlds Meet – Glaciers by Alfons Rodriguez and Fatma Kadir at the HMVC Gallery, NYC

On March 21^st, 2025 the Inaugural World Day for Glaciers, the HMVC Gallery in NYC will hold a 24 hour digital art show of their “Where Worlds Meet” exhibition which will include the mixed media Glaciers art work by photographer Alfons Rodriguez and artist Fatma Kadir at the jumbotron at Times Square, NYC located at 7^ᵗʰ Avenue between 47ᵗʰ – 46^ᵗʰ Streets.

“I am so excited that out mixed media art work titled Glaciers with Alfons will be seen by so many New Yorkers in Times Square on the first World Day for Glaciers. I thank HMVC Gallery, the Climate Heritage Network, the UN for their support in launching the Where Worlds Meet art show on March 21^st. It is a truly historic day, a historic event” said artist Fatma Kadir.

The Lighthouse at the End of the World, by Semine Hazar for CUHK Jockey Club Museum of Climate Change in Hong Kong

Semine Hazar an award-winning oil artist of lighthouses explained “The inspiration behind my painting “The Lighthouse at the End of the World” was my trip to Argentina in 2017 when I firsthand witnessed the melting of the ice and with a great sound crash into the sea. This brought tears to my eyes. This lighthouse marks the last inhabitable point in South America. I imagined that soon we would be moving this lighthouse to the Antarctic. The Lighthouse at the End of the World painting is on exhibit at the world’s first climate change museum CUHK Jockey Club Museum of Climate Change in Hong Kong. Later this year I will exhibit my “Lighthouses of the Hudson River” series during the year of Glaciers at the Cunneen Hackett Art Center in Poughkeepsie, NY from July to August followed by the National Lighthouse Museum Staten Island, NY from September to December 2025. I thank all museums, the Climate Heritage Network, and the UN for their unwavering support to bring my work to the public.”

Orcas & Glaciers by Selva Ozelli for CUHK Jockey Club Museum of Climate Change

“I made the Orcas & Glaciers art show for the world’s first climate change museum the CUHK Jockey Club Museum of Climate Change in Hong Kong (MoCC) which launched at the United Nations Climate Change Conference (COP29). I contacted Cecilia Lam the Director of MoCC and asked her if she would be interested in an art show about the trapped pods of around a dozen orca whales by drift ice in waters off Japan’s northern island which I read about in the news during February of 2024. I was so upset painting these trapped orcas in drift ice caused by melting glaciers. I thank MoCC, Climate Heritage Network, Global Resilience Partnership, Oceanic Global, and the UN for their unwavering support,” explained Selva Ozelli.

Please share your content to celebrate the inaugural World Day for Glaciers at the UN HERE!

Issue 118 - March 2025

Journeys With Purpose: A Journey to Grootbos, Where Nature and Community Thrive

When I first arrived at Grootbos Private Nature Reserve, I was immediately struck by its beauty. The rolling hills of fynbos, unique to the Cape Floral Kingdom, stretched as far as the eye could see, alive with color and fragrance. But what stayed with me most wasn’t just the stunning landscape – it was the inspiring work of the Grootbos Foundation, which quietly but powerfully transforms lives while protecting this precious ecosystem.

This visit also reminded me of the mission of Journeys With Purpose (JWP)—to celebrate and support the unknown heroes of conservation, the unsung champions whose dedication helps heal our planet. The Grootbos Foundation is a living testament to this ethos, showing what’s possible when passion and purpose unite.

A Mission Rooted in Purpose

The Grootbos Foundation was established in 2003, and its mission is as clear as the skies above the reserve: to conserve the Cape Floral Kingdom and uplift the local communities that call it home. Over the years, the Foundation has grown to protect more than 22,200 hectares of biodiverse landscape while reaching over 3,000 people annually through its initiatives. I had the chance to dive into their work, and it left me in awe.

Much like JWP, the Grootbos Foundation focuses on empowering the individuals and communities behind conservation success stories. These “unknown heroes” include researchers, educators, youth coaches, and local leaders, each contributing to the preservation of one of the world’s most biodiverse regions.

Empowering Through Education

One of the Foundation’s standout projects is Green Futures Education, a programme that offers training in conservation and ecotourism. I met a few of the participants, and their stories were incredible—people learning to cultivate indigenous plants, manage alien vegetation, and steward biodiversity. These are skills that don’t just provide jobs; they create careers that help heal the planet.

Standing in their indigenous nursery, surrounded by tiny fynbos plants destined to restore the land, I felt hopeful. It was clear that this isn’t just about education—it’s about empowerment, and each participant becomes a steward of conservation, carrying forward the mission of protecting nature.

The Science of Conservation

At the heart of Grootbos’ conservation efforts is their Green Futures Research Unit, where a team of scientists works to understand the intricate web of life in the fynbos biome. Although I didn’t have the opportunity to visit in person, I learned about their off-grid Environmental Centre, tucked deep in the reserve. It’s a hub of innovation, where botanists, ecologists, and even visiting researchers collaborate to protect this unique ecosystem.

These researchers are unsung heroes, much like those celebrated by JWP—dedicated individuals who work tirelessly to safeguard our natural world. Their passion and commitment form the backbone of effective conservation strategies.

Changing Lives Through Sport

One of the most heartwarming experiences during my visit was learning about the Foundation’s Sports Development Programme. I learned about young people whose lives have been transformed through sports—not just by learning how to play but by gaining essential life skills. This programme reaches thousands of kids each year, teaching everything from teamwork to mental health resilience.

I was especially moved by the stories of girls who found their voices and confidence through the Foundation’s female empowerment workshops. In communities where opportunities can be scarce, this programme is a game-changer, providing hope and inspiration in the most unexpected ways.

These youth leaders reminded me of the kind of transformative work JWP seeks to champion—stories of resilience, courage, and the belief that change starts with individuals empowered to make a difference.

Building a Green Economy

The Foundation’s focus on Enterprise Development is another powerful way it uplifts the community. I visited some of the small businesses they’ve supported, from green startups to mentorship programmes for women. These initiatives don’t just create jobs; they foster independence and resilience, giving people the tools to succeed in the long run.

One story that stayed with me was of a young woman I heard about, who started her own small enterprise after going through the Foundation’s training. I was told about her pride and determination, and I couldn’t help but feel inspired by her journey. She is the kind of hidden hero that both JWP and the Grootbos Foundation champion—someone quietly shaping a brighter, more sustainable future.

A Celebration of Fynbos

Before leaving Grootbos, I spent some time exploring the Grootbos Florilegium, a stunning collection of botanical art inspired by the fynbos. Each piece tells a story of the plants that make this region so special, and I learned that the sale of these artworks helps fund conservation and community art programmes.

It was a perfect reminder of how everything at Grootbos is interconnected—art, science, nature, and people, all working together to create something truly extraordinary. The artists contributing to the Florilegium are heroes in their own right, preserving the beauty of the fynbos for generations to come.

Why Grootbos and JWP Align

Leaving Grootbos, I couldn’t stop thinking about the incredible balance they’ve struck here. It’s a place where luxury tourism funds life-changing initiatives, where conservation and community upliftment go hand in hand. The Grootbos Foundation mirrors JWP’s mission by celebrating and empowering the often-overlooked champions of conservation.

If you ever have the chance to visit Grootbos, take it. It’s not just a place to experience nature—it’s a place to witness the power of what can happen when we work together to create a better world. And if you can’t make the trip, consider supporting their work. Every small action helps sustain this incredible legacy.

You can learn more about the Grootbos Foundation and how to get involved at www.grootbosfoundation.org.

This article was written by Sophie Gandet.

Journeys With Purpose offers immersive conservation and ethical travel experiences. Through private and hosted trips with pioneering conservationists, guests experience rewilding and restoring biodiversity in the wildest corners of the world. Our “Seven Worlds, One Planet” approach is a global curriculum focused on recovering and conserving vibrant landscapes, biodiversity, wildlife and livelihoods across all seven continents.