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Conservation Photography

Control in the Cold by Jonas Beyer, a Wildlife Photographer

a man on sledge attached with a pack of huskies

Jonas Beyer is a wildlife photographer, spending his time battling the elements in some of the world’s coldest places. We spoke to Jonas to hear more about his experiences photographing animals in -30°C and why – when you’re working in those conditions – you need to make every shot count.

a snow rabbit

If somebody asked me 8 years ago what I wanted to do as a profession, I would never have answered wildlife photographer. Don’t get me wrong, ever since I was a young child, I loved taking photos. When I was 13 years old, I got my first digital camera and I took photos of anything I could – classmates, gymnastics, horses, dogs. I just found it very funny to be able to capture moments in a frame. When I got a bit older, I got my first DSLR camera and I would look to seek out other photographers to learn more about camera settings and other tips and tricks.  

The reason why I never thought about this becoming a career is that It was always a dream to become a police officer and I spent most of my life chasing that dream. Unfortunately, I failed my English exam and had to come up with a way to learn the language as sitting in a classroom, trying to learn, wasn’t going to work for me. Instead, I found a job in Greenland, at the US air force base in Thule. They needed activities floater to run the gym and teach fitness classes. This job forced me to speak English every day and I knew that would be the best way to learn the language. 

a Domestic yak is looking at the sunrise in the morning

I had always wanted to see Greenland, so the combination of being able to work and live here was just perfect. Wherever I went, I had my camera with me. On my days off, I would be out in nature, looking for wildlife and trying to capture the beautiful scenery. I remember one specific encounter with an Arctic Fox that will stay with me forever. It was mid-august and I was out with my camera as the sun was beginning to set. I had noticed this beautiful little fox running around and it was curious enough to come up to me. After taking hundreds of photos of him, he laid down and I decided to lay down next to him to get a different angle. Occasionally he would open one eye to look at me, but he never looked scared. This moment made me want to do more wildlife photography. I wanted to create pictures of animals in their natural habitat that I could show to the world so they could also see how amazing these animals are. I started to research wildlife photography on YouTube and look at what kind of equipment I would need to consider taking it seriously and then save money until I could afford it. 

two Domestic yaks are confronting each other in the snow storm

Finding inspiration for my photos was easy. It helped that I worked in the arctic. I just had to go out to my “backyard” and look for the wildlife. After the dark season, my first winter started and the entire landscape was now covered in snow. It was beautiful but also extremely cold. I wasn’t quite prepared for how difficult it was going to be to take photographs in -30ºC temperatures and as these extreme temperatures drain the batteries quickly, you must make every shot count. 

As crazy as it sounds, I find it quite cool that I have to send myself out into such extreme environments to be able to find and capture photos and moments with the arctic animals. They are used to these conditions, but I must find a way to adapt and trust my equipment and clothing. Sometimes I am out in the cold with very little movement for hours on end, so if the clothes cannot keep me warm, I can’t take the photographs I want and share my amazing experiences with everybody else.

Arctic wildlife photography has allowed me to work in some of the most amazing places in the world. Some encounters have been mind-blowing and will stay strong in my memory for the rest of my life. I remember my first time in Norway when I was about to enter the cold water to come face to face with orcas. This would unnerve some people, but the fear never hit me. In fact, I felt confident and couldn’t wait to get in the water. It wasn’t until I was laying in the cold water, in my drysuit, that I started to realise what kind of situation I was in. I was about to face one of the deadliest predators in the world. The confidence drained out of me and I suddenly realised I wasn’t ready for it as I watched four or five dorsal fins swimming directly towards me. I wanted to get back in the boat, but I was about 30-40 meters away. I turned on my back and swam as quickly as I could. As soon as I was close to the boat, I turned to look into the dark blue water to see if the orcas were close by. I looked all around me, but they were nowhere to be seen. Sitting back in the boat, the regret began to build up inside me. I wanted to swim with the orcas so badly, but fear had got the better of me. I wasn’t sure I’d ever get another opportunity.

At the end of the day, we spotted another group of orcas swimming around a fishing boat. I noticed another guy in the water and decided that it was now or never. I slowly slid back into the icy water; this time making sure I stayed very close to the boat to feel safe. I looked down into the water but could see nothing but darkness. Then suddenly, out of nowhere, sneaking up from behind, a huge male orca emerged from the water between me and the boat. The initial shock and fear were quickly cancelled out by awe. It looked at me, checked me out and then swam away. It was magical. That moment made me feel comfortable in the water with them and I spent the next 12-15 minutes swimming alongside them. Taking control of my emotions allowed me to experience something very few people have been able to. It was a breathtaking moment that will never leave my memory!

Another memory that sticks out was when I was driving deep inside the Norway fjords, looking for polar bear tracks. I had been looking for hours and couldn’t find anything. The cold was getting too much and I wasn’t sure how much longer I could stay out in such extreme conditions. I decided to cut my losses and head back towards the base when I saw something in the distance, close to an iceberg. It was a lot of small black dots. I thought perhaps they were ravens, but if they were, then why were there so many of them in one spot? Then I saw the white shade move and I knew what it was. It was a polar bear. I immediately forgot about the -30-degree weather and pointed my snowmobile in the direction on the polar bear. When I got closer I realised that it wasn’t just one, but a mother and her two cubs. I knew how protective female polar bears can be of their young and as I got closer, the mother kept a very close eye on me, making sure where I was and that I didn’t get too close. After a couple of photos, she saw that I wasn’t a threat and laid down to rest while her two cubs played around her. It was a crazy experience, being allowed by the mother to be anywhere near her and her cubs. Being able to document their natural behaviour and show the rest of the world these amazing moments makes every second in the cold worth it.

There is no way you can schedule a shoot like that. When I go out with my camera into the arctic desert, I have no idea of what I will come home with. 80% of the trips I will come home with nothing. I cannot make an appointment with a wild animal to make sure it will be there whenever I am ready. It takes so much time and so much patience, which I think is the beauty of it. With that being said, there are a few things I can control. As a photographer, I need to be ready and to be two steps ahead of a situation. I need to place myself in the right spot, I need to have thought about the light and wind. If I don’t want the animal to notice my presence, I need to have positioned myself so I am ready to get the image when something extraordinary happens. I must blend in with the surroundings to draw less attention to myself in order to experience the most authentic behaviour of the animals.

Two domestic yaks are facing each other in a valley during the sunrise

All this sounds like a lot of preparation, but when you are out in nature and something happens, everything goes so fast so there is only a very limited time to get the shot. That is what I really like about it, the whole situation depends on you, and where you are in that specific moment to take control.

I love this planet’s wildlife and it will always be a big part of me. I will keep fighting to protect our nature and animals through my pictures and video. Hopefully, it will create awareness and more people will help us to protect our planet and the wild places left on our planet.

To read more about Jonas’s experiences with wildlife photography, click here.

a humpback  whale tail

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Conservation Photography

National Geographic Explorer Thomas Peschak to Receive 2025 Eliza Scidmore Award for Outstanding Storytelling

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This year’s award recognizes Peschak’s legacy of visually illuminating ecosystems, including the people advocating for them, while connecting audiences to the importance of conservation

Cover of the Amazon Special Single-Topic October 2024 Issue of National Geographic Magazine. Photo by Thomas P . Peschak/National Geographic.

Award-winning photographer and National Geographic Explorer Thomas P. Peschak will receive the National Geographic Society’s 2025 Eliza Scidmore Award for Outstanding Storytelling for his long legacy of conservation storytelling at National Geographic and beyond.

The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.

Thomas P. Peschak
National Geographic Explorer Thomas P. Peschak © THOMAS P. PESCHAK

The award — named for the writer and photographer Eliza Scidmore, the first woman elected to the Society’s Board of Trustees in 1892 — recognizes individuals whose work focuses on immersive storytelling to advance our understanding of the environmental and conservation issues we face, with the ultimate goal of supporting societies in making the best decisions for a healthier planet.

While Peschak began his career training as a marine biologist specializing in human-wildlife interactions, he eventually moved to photojournalism after realizing his impact on conservation could be greater through storytelling to inspire change. Now, Peschak’s accomplishments are world-renowned, with 18 Wildlife Photographer of the Year wins, seven World Press Photo Awards, and most recently, the 2024 Wildlife Photojournalist Story Award — all for his significant work documenting some of the most crucial conservation stories of our time.

Ariaú River, Brazil – A pink river dolphin cruises in the shallows of a flooded forest in Brazil’s Ariaú River. Its unique anatomy allows it to swim easily through these waters. Narrow dorsal fins, long snouts and large, flexible flippers let the mammals slip in and out of submerged branches. “They basically fly between the trees,” marine biologist Fernando Trujillo says, “following the fish.” Featured in the Special Single-Topic October 2024 Amazon Issue of National Geographic Magazine. © THOMAS P. PESCHAK/NATIONAL GEOGRAPHIC

“Tom’s work is rooted in a commitment to drive meaningful impact. Whether documenting vital ecosystems, the plight of at-risk species or the stories of communities, his images open our eyes to the world, make it clear what’s at stake and inspire us to act,” said Jill Tiefenthaler, CEO of the National Geographic Society. “Tom’s dedication to illuminating and protecting the wonder of our world defines his work, and it’s why we are deeply honored to present him with the 2025 Eliza Scidmore Award for Outstanding Storytelling.”

Most recently, he was the lead storyteller on the National Geographic and Rolex Perpetual Planet Amazon Expedition, a multiyear series of solutions-centered science expeditions spanning the entire Amazon River Basin. Working with fellow Explorers and local communities, Peschak immersed himself in the basin for 396 days to reveal its aquatic and wetland habitats. The single-topic October issue of the National Geographic magazine was devoted entirely to Peschak’s stunning images of the Amazon Expedition. Starting with ice axes and crampons in the icy high Andes and finishing with scuba gear in the Atlantic Ocean, he created the first-of-its-kind comprehensive photographic archive of our planet’s most iconic and biodiverse river system.

Wolf Island, Galapagos Islands – A ground finch pecks at the base of a Nazca booby’s flight feathers and drinks the blood. © THOMAS P. PESCHAK/NATIONAL GEOGRAPHIC

To date, Peschak has photographed 20 National Geographic magazine features on various subjects, including manta rays, sea turtles, climate change in Antarctica and the global seabird crisis, the latter of which resulted from a Society grant in 2017. Seeking to address the loss of 230 million seabirds over 60 years, Peschak mined archives for images of seabird colonies in Peru taken 100 years ago and re-photographed those same locations, presenting these images side by side in an innovative multimedia display to visualize this staggering absence in the hopes of protecting this ecologically critical and unique species.

Aldabra Atoll, Seychelles Islands – Blacktip reef sharks wait for the tide to refill the lagoon at remote Aldabra Atoll. © THOMAS P. PESCHAK/NATIONAL GEOGRAPHIC

In addition to his extraordinary photojournalistic work, Peschak has written and photographed eight books, including “Sharks and People,” which chronicles the relationship between people and sharks around the world, and “Wild Seas,” a collection of photos taken by Peschak documenting the beauty and fragility of underwater life and wild coastlines from around the world. He has also appeared as a speaker for the National Geographic Live! series, having presented over 20 shows in 15 cities on three continents.

Mexico – A manta ray being cleaned by Clarion angelfish. Today these animals play an important role in tourism in places like Mexico’s Archipiélago de Revillagigedo Biosphere Reserve, in the Pacific Ocean about 240 miles southwest of Baja’s southern tip. © THOMAS P. PESCHAK/NATIONAL GEOGRAPHIC

“Photography and storytelling aren’t just about highlighting places with unique biodiversity, especially when areas like the Amazon basin are under siege every day from issues like overfishing, pollution and climate change,” said Peschak. “To capture the full scale, it’s imperative to highlight these challenges as well as the people who are facing them head-on: local communities, Indigenous peoples, researchers and other Explorers. The goal and hope with my work has always been to photograph places I love in order to help save them, so it is a true honor to receive this award and get to continue to work on important stories of conservation.”

Bahama Islands – Green sea turtles congregate near a dock in the Bahamas. © THOMAS P. PESCHAK/NATIONAL GEOGRAPHIC

While remaining a cornerstone of storytelling work at the Society, Peschak continues to focus on marine conservation storytelling more broadly, serving as the director of storytelling for the Save our Seas Foundation — an organization he has been an integral part of for almost two decades. He is also a founding director of the Manta Trust and a senior fellow of the International League of Conservation Photographers.

Peschak will be honoured as the 2025 Eliza Scidmore Award recipient during the annual National Geographic Society Storytellers Summit in February 2025. To learn more about Peschak and other Explorers’ work, visit our website here.


ABOUT THE NATIONAL GEOGRAPHIC SOCIETY

The National Geographic Society is a global nonprofit organization that uses the power of science, exploration, education and storytelling to illuminate and protect the wonder of our world. Since 1888, National Geographic has pushed the boundaries of exploration, investing in bold people and transformative ideas, providing more than 15,000 grants for work across all seven continents, reaching 3 million students each year through education offerings, and engaging audiences around the globe through signature experiences, stories and content.


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Conservation Photography

Manta Ray Magic: Witnessing a Feeding Frenzy in the Great Barrier Reef – Photography by Aliya Siddiqi

While working at an island that’s known as “the home of the manta ray,” it’s easy for most of us staff to get jaded at seeing one or two manta rays…per day. Maybe they do a quick cruise past, or maybe a stop at the cleaning station. But when these mantas do aggregate around this small island on the Great Barrier Reef, those are the days that turn into pure magic. And it reminds us all as to why these animals are so spectacular to interact with.

Manta rays, more specifically Manta alfredi, are unique in the contrast between their large size and inquisitive behavior around humans. Despite reaching average lengths of three to five meters wingtip to wingtip, they are filter feeders and seek out the smallest creatures in the ocean to feed on. The diets of manta rays are found to consist mostly of different types of zooplankton, small creatures that range from microscopic single-celled organisms to the larvae of larger animals like crabs, octopuses, and fish. Zooplankton are heterotrophic, meaning that they obtain their energy from feeding on other organisms including phytoplankton and other zooplankton. In this photo series, all of those small dots sparkling in the photos indicate a high number of plankton.

According to scientists studying the island aggregation site, the higher biomass of zooplankton seems to be a result of “local concentration and retention processes around the island”. Though still unknown why these zooplankton blooms around the island happen, when it does become what we call “manta soup,” the foraging behaviour of the manta rays gives guests and staff some unforgettable experiences. The elasmobranchs ensure filter-feeding efficiency by looping around consistently in nutrient-dense areas. All one must do is stay in that same spot and wait for the mantas to swoop in and detour around you – though with strong currents, this is often more easily said than done. However, some days you get lucky when the weather window blesses you with no wind, high zooplankton biomass, and an influx of manta rays.

These photos come from a day like that, making it almost too easy for an amateur photographer like me to capture these charismatic animals. The mantas were swooping in and out, with some of the females displaying quite pregnant bellies. Like any aggregation site, tourism operators greatly benefit from the frequency at which these animals appear. Their docile and curious nature also makes them excellent flagship species for marine conservationists. Listed as Vulnerable to Extinction by the IUCN, these experiences with the public allow for an opportunity to discuss the challenges our oceans are facing, and why protection is of the utmost importance. 


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Conservation Photography

Cleaning Stations & Coastal Cruising – Under the Waves with Karim Iliya, October 2024

This is a turtle cleaning station. You can see the turtle in the back getting cleaned by a fish which eats parasites and algae off the turtle’s skin, shell, and scales. The turtle in the front is waiting its turn. This is a symbiotic relationship in which the turtles get cleaned, and the fish get a meal.

A Hawaiian green sea turtle cruises beneath the waves off the coast of Hawaii. This turtle was eating algae off the rocks, seemingly unaffected by the powerful turbulent water all around. When not eating algae, these turtles spend much of their time laying on the nearby beach .


Karim Iliya Logo

Karim was published in National Geographic magazine for his humpback whale photography. He now leads his own trips so that others can swim with whales.

If you are interested in swimming with or photographing humpback whales, Karim guides people on small trips between August and October every year in Tonga. Visit www.dancewithwhales.com to find out more

To see more of Karim’s work, visit his website at www.karimphotography.com

Karim headshot

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